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Archive for the ‘media’ Category

An Excellent Job by Al Jazeera

Sunday, January 30th, 2011

American-based news services are only now catching up with the coverage of the Egyptian rising provided by Al Jazeera.

Al Jazeera America has been trying for some time for inclusion in one of the major cable networks but with almost no success. American audiences who want to view it must look at the Al Jazeera English program on line.

Two articles appearing in Salon give a good overview of what kind of news service Al Jazeera is.

The first, “Why Can’t We All Watch Al Jazeera” was written by Julia Dahl and was first published, at Guernica, in 2008. It gives a good picture of AJ’s rocky road toward acceptance as a legitimate news agency. The piece is long, but well worth the effort. (click)

The second article, “Al Jazeera’s Egypt Coverage Embarrasses U.S. Cable News Coverage” is by Alex Pareene and also appears in Salon.

The piece is a good deal more snarky than Dahl’s…but it does give some idea of the differences in coverage during the onset of the uprising. (click)

Coffee and An Office

Friday, November 12th, 2010

Most writers start their careers working at home. Besides being cheap, a home office has a lot to recommend it. You’re never far from the refrigerator, the cookie jar, or the television set. You can hide your writer’s block behind distracting little household chores and you can shlump about all day in slippers and ‘scrubs’. If you’ve spent too many days moving from the refrigerator to the cookie jar that’s about all that fits anyway.

The major disadvantage of working at home is that you are never out of the office. Twenty-four hours a day you could be working. You can’t say, “By golly, if I were at the office I’d re-write that character sketch,” because you are at the office, it’s just down the hall from you. Hence, your worry pendulum swings relentlessly back and forth between work, guilt at not working, and anxiety about unfinished assignments. This is not relaxing. Rats.

That’s the reason many writers are driven to find an office someplace else: anything to get out of the house. That’s what I’ve done, and it seems to me lots of foothills people have done the same thing. Unfortunately they have all chosen my office space, but I try to treat this as just another opportunity to get to know my neighbors.

From my office window I  watch  SUVs  and luxury cars as ponderous as elephants, gingerly swap parking places;  angling in and out of the lot. My motorcycle is there, because I’m working today. Writing this, as a matter of fact. It’s quite likely that the guy with the white K100 BMW will swoop down from Tierra Serenas, leave his helmet on the bike, and pop in to meet a friend. A Harley rider is an occasional visitor, too. A real rider and not just a weekend warrior, judging from the mileage on his odometer.

(Bike people tend to sneak a peek at the other guy’s odometer the way dogs sniff rumps.)

Friends and intimates criticize me for my office  choice. I am deaf to the criticism, which most often (and annoyingly) takes the form that I spend too much for a cup of coffee. But that’s absurd. I’m not buying coffee at all, I’m renting office space.

Starbucks rents me the space. I get a table, a chair, and an executive washroom. If I beat the guy  writing the novel to the corner table by the electric outlet, I get power for my laptop. Best of all the management throws in a cup of whatever is in the big urn behind the counter to say thanks for the business. Two bucks, change in the tip box. A deal.

We’re a varied group in my office complex. I see the two backgammon players are here today. The game is usually preceded by a discussion of what I assume are business documents, but now the papers have been stuffed into their purses, which are on the ground beside them, a cigarette is going and the game is on.

The novel writer is not here, but the distinguished older gentleman is. That’s the way I think of him, The Distinguished Older Gentleman. Always elegantly, if informally, dressed, razor-sharp crease in his slacks, polished shoes, shirt collar open but under a blue blazer with four gold buttons on each sleeve. Bent over papers, making a careful note or two with a pen and clearly thoughtful, he makes a fellow proud to be seen working here.

We do try to be reasonably discreet in our commercial activities so as not to disturb  the folks in the library… the man reading the biography of Churchill, the woman deep in a book of anatomical drawings, or the teacher tutoring a student for her SATs.

One day a young guy my grandpa would have called ‘a traveling man’ set up a complete office. He spread out over a table for four with cell phone, laptop, sample book, PDA, and calling list. Starbucks must have been very glad to see him because they gave him a super sized coffee-flavored beverage, a drink with a name six words long that ended in ‘latte’

Depending on the time of day we’ll see people who think this is just a place to buy coffee and visit, and that’s nice, too. It keeps you in touch with the community, rather like strolling around a busy village square: Three women planning  a gathering…geezers reading the newspapers… young people in hip huggers and  flip-flops…pretty much a fair sampling of who we are up here.

Now all I need is a time clock and a place to display my business cards. Need to write a proposal? The writer is in, but his coffee is cold.

Free Screening at The Loft–Sunday, August 8th

Thursday, August 5th, 2010

The Girl With The Dragon Tattoo

UPDATED August 7th to correct address blooper.

Millennium- The Story, a short film about Stieg Larsson, author of   The Girl With The Dragon Tattoo, will be shown one time only at The Loft. Free.

Doors open at 10 am for the 11 am screening. There are no advance tickets and seating is strictly limited, so it’s first come first, first seated.

We’re big fans of Lisbeth Salander–she of the tattoo–and plan to get in line early, take our seats and settle back with a couple of “Millennium Mimosas” (not free) from the snack bar.

From The Loft’s announcement:

The MILLENNIUM trilogy by Swedish author Stieg Larsson is THE literary phenomenon of the last decade, with 15 million books sold worldwide, 25 translations in over 40 countries, and a movie (THE GIRL WITH THE DRAGON TATTOO, based on the first novel in the trilogy) that has blasted box-office records all across the world. And now with the release of the movie version of THE GIRL WHO PLAYED WITH FIRE, the second installment in the series, the Millennium saga continues …

This short (52 minute0 documentary portrait of Stieg Larsson reveals the story of an outstanding success – a worldwide phenomenon who, at the age of 50, died from a sudden heart attack before his first novel was even published. In the film, Larsson’s fascinating real-life story is analyzed by close friends and relatives; by his publisher, his journalist colleagues and by various professionals who have worked on the films, including Swedish producer Soren Staermose and leading actors Noomi Rapace and Michael Nyqvist, who play Lizbeth Salander and Mikael Blomkvist.

The second film in the series, The Girl Who Played With Fire, opens at The Loft Friday, August 13th.

The Loft is located at 3233 East Speedway