The Logical Lizard

Sometime last year, my co-host Steve Arnold and I had a most interesting conversation with LMNO Productions owner, and our Executive Producer, Eric Schotz. He told us that if he was developing a show about, for example, an emergency room, or armed forces veterans returning from overseas, there would be a number of options; a number of different people to interview and work with. “But I can’t go out and get two other guys who do what you do. The show is about you.” So, no pressure.

But really, I am joking. It is an honor and a privilege to find yourself in a situation where major companies have put a great deal of money, time and effort into making a rather unique adventure series about you and your buddy. Steve had me laughing the other day when he said: “I want our show to be the best meteorite hunting program on television!” It is a most unusual topic for a series, but I do know one thing: wherever I go and whatever kind of people I meet there seems to be a universal fascination with our rather odd profession: “Really? You look for meteorites. You mean, like shooting stars?”

The Logical Lizard (left) and professional meteorite hunter Steve Arnold scouting locations for the new "Meteorite Men" TV series. Photograph by Margaret Haddad.

The fact that our work is so unusual and specialized means we are actively involved in nearly every aspect of pre-production: locations, equipment, wardrobe, logistics, scheduling. We even have the pleasure of inviting some favorite academics to appear on the show with us. We are airing on the Science Channel, so Meteorite Men has to be a lot more than just an adventure series. It’s a good mix: Steve and I go out to the wild places, test new gear, develop hunting techniques, do our research, hike, dig, meet weird and colorful characters along the way, and when each adventure draws to a close we head to a lab or university to meet with one of our colleagues in academia. Will any of our finds help shed light on the mysteries of the universe? Well, maybe not every episode, but each fragment of new knowledge is a piece in the puzzle, and it doesn’t hurt to dream.

And anyway, Steve feels people are tuning in to be entertained, not to have the spotlight of universal understanding turned upon them. We’ll figure it out.

Entry number 2 in an ongoing series chronicling the making of Meteorite Men, the science/adventure show I co-host with world famous meteorite hunter Steve Arnold. Exclusive to TucsonCitizen.com

Okay, so we have the deal. It’s all very exciting. Our friends at Science Channel have ordered an entire series of Meteorite Men shows and that means we have a lot of work to do. Here is the scary part: from concept to its world premiere, our one-hour pilot had a luxurious seventeen months to germinate. And we knew where we were going to shoot as well. Steve had made amazing discoveries at two different sites within the U.S., and we were still working at both of them, so the location choices were easy. Now we have a clean slate to work with and it gets a little more complicated—and we surely do not have the seventeen months to spend on each episode this time around.

Steve and I put our heads together and came up with a list of places we wanted to go explore: places that were perhaps scenic, interesting, historic, strange, or fascinating for one reason or another—and where we could also find meteorites. Well, where we hope we could find meteorites. There were over a hundred place names on that list, so we had to whittle it down somewhat.

Next comes the equipment. We are gearheads and experimenting with new, exciting, cool-science gadgets is one of the best parts of doing this job. We’re working with a few outfits to acquire fun things to play with on camera, some of which are entirely new and not even on the market yet. Other devices we will be designing and building ourselves. In the pilot Steve says something like: “You can’t go to the meteorite hunting aisle of your favorite mega-store and get the things you need.” It’s very true, so when the things we want are not available we just build them.

Geoff and Steve: Two gearheads move out for a day of exploration. The big disk behind my head is part of one of our specialized metal detectors. Photograph by Caroline Palmer.

While the gear is being sorted out we have to plan the scouting. I have a bad habit of thinking: It’ll be fine, let’s just get up to the site and figure it all out, but when it comes to expeditions, that’s a not-very-helpful facet of my spontaneous personality. Planning is important. It’s important when it’s just two guys out hunting in the desert with a couple of metal detectors, and it’s vital when you have a film crew, and a support staff, and all kinds of vehicles, cameras, and hi-tech gear trundling around with you. If the schedule is off, you suddenly have a lot of expensive television professionals standing around waiting for the hovercraft to arrive, or something.

So, in order to hopefully minimize scheduling disasters, Steve and I, and some of our producers and teammates have been out and about making the rounds. It is a very good idea to visit potentially hazardous locations with just a couple of people, before bringing the entire troupe in.

And that is how I was almost struck by lightning.

Last week I was out scouting in the mountains. We had a pretty solid report of a meteorite-related structure being discovered in the Chiricahuas. We are hoping to do a little filming here in Tucson, next year. It’s a natural with the world’s biggest gem show in town, so some contemporaneous Arizona field work wouldn’t be amiss. I traveled up to the site with a friend who knows the area really well. My 4WD truck has a big V6 engine and lots of clearance but there were some spots on this trail that I thought were going to be too much for us. It was surely one of the roughest off-road tracks I have ever traveled.

Eventually, we made it to the side of a slope so precarious we just sat there, several thousand feet up, with the wheels slowly spinning and sending a stream of rock chips cascading down the slopes behind us. It burns gas and it’s bad for the tires. “I think this is as far as we go,” I said. So we suited up, got our backpacks, rock hammers, metal detectors, a couple of large-caliber revolvers (you don’t want to be out in those parts without some serious protection), cameras, binoculars, and anything else we could carry, and started hiking. Remember please, it is August in southern Arizona, and that’s more gear that you really want on a hot day.

We’d only gone a few hundred yards when unpleasantly dark storm clouds began rushing furiously over the mountain peak ahead of us. We weren’t sure if the whooshing sound was rain or wind and it turned out to be both. We ran back to the truck as a massive downpour started. Water flowed under the wheels of my truck, parked awkwardly at an angle on the steep, steep track, because I didn’t dare leave only the breaks to defy that much gravity.

The big storms do leave behind some lovely sunsets. Photograph © Geoffrey Notkin

We waited it out. It wasn’t too bad. Lightning hit all around; the ground breathed in moisture and I recalled cowering from European thunderstorms as a kid in London. After about 20 or 30 minutes the front passed, the sky cleared up considerably and we got out of the truck. We were both readjusting our gear when lightning struck a telephone pole not thirty feet from where we were standing. It was one of those freaky and astonishing moments when you hear the crackling before the thunderclap, and that means it’s awfully close. The blast knocked my buddy’s hat off, and left us with ringing in the ears and nasty headaches for the rest of the day.

All that, and the site didn’t turn out to be what we’d hoped. But that is okay too and exactly why we do the scouting first. There are plenty more places to go, and I’ll be taking you along with us.

I have always enjoyed chronicling things. When I played music professionally I was the band archivist, forever making tapes of our live performances and preserving a copy of every concert poster.

I have been presented with a unique opportunity to document something a little more unusual—the making of new television adventure series. In the coming months I will be sharing, exclusively with TucsonCitizen.com readers, an unabridged, behind-the-scenes diary about how we created my new show. I hope you find the details, mishaps, and insights to be interesting and entertaining.

Just a few days ago my expedition partner, Steve Arnold, and I received a most important phone call from Debbie Myers, President of Science Channel. A little over a year earlier she had ordered a one-hour pilot from our production company, LMNO of Encino, California. The pilot, Meteorite Men, was a success and so Debbie was calling to share exciting news with us: We were going to series.

The Meteorite Men, Steve Arnold and Geoff Notkin, on location in Kansas. Photograph by Caroline Palmer © Aerolite Meteorites

So, Steve and I will be researching, brainstorming, building and testing new equipment, traveling to strange and possibly dangerous places, engaging in some requisite goofing around and, of course, digging for space rocks.

I am more than a little bewildered by the vast amount of work that we must now accomplish but, as Steve is fond of saying: “If it was easy, everyone would be doing it.”

Come along for the ride. Adventures ahead.

Oh, and while you’re waiting, please check out these exclusive video clips from Meteorite Men, courtesy of Science Channel.

So, my latest foray into television documentary land premiered on May 10. For my co-host and expedition buddy, Steve Arnold, the Meteorite Men debut was the culmination of almost seventeen months of work. We have done a lot of other television—Discovery Channel, Wired Science for PBS, Cash & Treasures for The Travel Channel, Naked Earth for National Geographic, and so on—but this was a first for us, our very own big budget one-hour special, devoted almost entirely to our favorite topic: scouring the earth’s surface for fallen space rocks. And there was some hard science and gemology thrown in for good measure.

Filming "Meteorite Men" on location in Kansas

The ratings were good, and Science Channel has now aired the pilot about 15 times. Once or twice, I turned on the TV just to watch the opening credits. It is fun and slightly disorienting to see yourself live on the box. Well, I say I was only going to watch the opening credits, but don’t you know, I ended up sitting there and watching the whole thing over again anyway. I found it difficult to turn off my own show and go do something else.

That one-hour episode had always been intended as a pilot. Since it was was well received we hope more episodes will follow. In fact, I receive emails or phone calls from my friends, colleagues, and customers, pretty much daily, along the lines of: “Any news about the show?”

Looking for weird stuff in weird places. It's what we do. Camo is optional.

Quality adventure television is complicated, time consuming, and expensive to produce. Although I’ve been involved in similar projects in the past, I was amazed by the attention to detail and the level of perfectionism demonstrated by our production company, LMNO,  through the long months of development. I am a perfectionist, and I do appreciate that quality in others.

What will happen if Meteorite Men goes to series? Well, Steve and I will have to come up with a super-secret list of places where we can go and hopefully find meteorites. Actually, we have already compiled such a thing and believe me a lot of people want to know what is on that list.

The trick is to pick sites that are interesting in terms of geography, scenery, or history (or all three), where we also have a decent chance of finding space rocks. As Steve is fond of saying: “You can’t go to the meteorite hunting aisle of your favorite mega-mart” to get that kind of information. We have to figure it out on our own, using knowledge accumulated through years of research and adventuring.

Big country

In order to maximize our production budget and “put every dollar up on the screen,” as some TV and movie makers like to say, we may take Meteorite Men on the road, and film a series of episodes back-to-back. That would cut down on all kinds of expenses, including air fares, vehicle rentals, and travel days for the crew.

So, here comes the question: If such a thing were to happen, would the Logical Lizard’s esteemed readers enjoy an exclusive “on the road” account of the making of a TV adventure series? Speak up please!

Photographs by Geoffrey Notkin and Caroline Palmer © Aerolite Meteorites. All rights reserved. No reproduction without written permission.

It makes me very happy when a person I work for stands up and sets a fine example. I do mean “work for” in a broad sense, since I have owned my own business since 1989, but you will get my point in a minute.

On July 16, Deborah Adler Myers the president of Science Channel, testified before the House Science and Technology Committee, chaired by Arizona’s own Gabrielle Giffords. Congresswoman Giffords is someone else I admire, particularly because of her positive stance on solar energy initiatives here in our home state.

Deborah began with a brief history of Discovery (Science Channel’s parent company), went on to show support for President Obama’s challenge to “restore science to its rightful place” in our nation, and later presented a detailed overview of Science Channel’s mission: “To be the creative magnet for all people—adults and kids who share a passion for innovation and the sciences.”

Towards the end of her address, Deborah included a few sentences that really startled me: “Our television shows cover a wide range of space and exploration topics—from space travel to string theory and wormholes to black holes. We start from the Big Bang beginning and go right to the edge of what we know is possible in the future. We’ve brought back classics like COSMOS and created our own original series like When We Left Earth and Meteorite Men.”

Meteorite Men is the show I co-host with my expedition partner, professional meteorite hunter Steve Arnold. Science Channel is our network. So, in a general sense it’s fair to say that I work for Deborah Myers. And I am quite sure that was the first time anything I have done received a specific mention on Capitol Hill. As one of our producers, TV veteran Bob Melisso said, humorously: “It’s always good to be mentioned in congressional hearings when you’re not being indicted.”

With my co-host at Science Channel HQ. They have their own dinosaur.

I had the pleasure of speaking with Deborah first thing this morning and, of course, I congratulated her on her testimony. We talked about our show for a while, and about our common interest in getting kids excited about science. She told me that when someone is really successful in our kind of work it is because they are sharing their journey and taking viewers along on “an authentic quest.”

It was all very inspiring, so we are going to do everything we can to keep it real. Stay tuned.

Photograph by Ruth Rivin © Aerolite Meteorites. All rights resrved.

I suppose one of the most conflicted elements of my personality is that I cannot stand watching television but I absolutely love making it. Don’t get me wrong, it’s not the programming I object to, but the commercials. There’s not much I find more annoying than having a paid actor yelling at me to buy a new car or hamburger when I’m trying to enjoy Star Trek re-runs.

So, understandably, some of my close friends were astounded when I admitted that I recently caved in and ordered digital cable. “But you have to understand,” I implored them. “It’s only so I can throw a broadcast party for my own show.” A pretty solid excuse right?

About 17 months ago my great friend and fellow explorer, professional meteorite hunter Steve Arnold, and I started work on a new adventure documentary, Meteorite Men, for Science Channel. I was thrilled to learn that our Director of Photography would be the brilliant Randall Love who has worked for Lucas Films, Disney, HBO, the BBC, you name it.

The Logical Lizard (above left) and his long-time expedition partner, Steve Arnold, digging space rocks. Photograph by Caroline Palmer.

In the new show we travel to rural Kansas and dig for giant meteorites, buried for thousands of years; pay a visit to the brainiacs at ASU’s fab Center for Meteorite Studies and get to play in their gazillion-dollar iBeAM lab; then skulk along to a second hunting location, so secret everybody on the crew had to sign confidentiality agreements before we’d let them film. They were very understanding about all of our shenanigans.

Meteorite Men airs tonight, June 3, on Science Channel and Science Channel HD at 6 pm in Tucson. It repeats June 4 and 5 and complete Meteorite Men showtimes are here. If the idea of mixing rocks, treasure hunting, astronomy and adventure with some dry comedy sounds watchable to you, please tune in. I won’t spoil it by telling you what we found on the expeditions, but I promise you the rocks are the real stars of the show. Fallen stars.

In "Meteorite Men" we are hoping to find pieces of the famous Brenham pallasite. Pallasites are meteorites packed with extraterrestrial peridot gemstones, as shown in this detail. Photograph by Geoffrey Notkin © Oscar E. Monnig Meteorite Gallery.