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UA film students to show works

Thursday, May 14th, 2009

Citizen Staff Report
Movies

Students graduating from The University of Arizona School of Media Arts bachelor of fine arts program will screen their senior thesis films at the annual “I Dream in Widescreen.”

Students in film and video production will present what is being slated as an unusually diverse and ambitious array of films. The students wrote, directed and crewed their own films, which often feature local talent.

The lineup includes a teen genre musical, a meditation on Jewish identity, a fantasy epic about a fiddler turned dragonslayer and a comedic series of commercial spots. A Q&A session with all of the graduating filmmakers follows the presentation.

Local newspaper columnist and KXCI Community Radio program host Ernesto Portillo Jr. will host the screening.

When: Doors open at 6 p.m. with the screenings beginning at 7:30 Friday Where: Tucson Music Hall, 260 S. Church Ave. Price: free Info: 626-1405, www.uanews.org

TUCSON TALENTS

Thursday, May 14th, 2009

Citizen Staff Report
Entertainment

Entertainment news about personalities and events with an Old Pueblo connection.

Canyon Ranch’s Ellerby pens spiritual guide

Local author and minister Jonathan Ellerby will sign copies of his new book this weekend.

“Return to the Sacred: Ancient Pathways to Spiritual Awakening” is the latest offering from Ellerby, spiritual program director for Canyon Ranch Health Resorts, who has a doctoral degree in comparative religions.

The book “is a guide to understanding the importance of spiritual practice and discovering the great diversity of spiritual paths,” a news release states.

When: 2 p.m. Sunday Where: Barnes & Noble, 5130 E. Broadway Price: free Info: 512-1166

The Drawing Studio program gets NEA grant

For the second time in three years, The Drawing Studio has received a $20,000 grant from the National Endowment for the Arts.

One of only three “Learning in the Arts” awards in Arizona, the grant will fund the studio’s summer immersion program in the visual arts for youth and teens. According to a news release, students in the program spend full days or half days painting and drawing, sculpting (clay, metals, paper, wire), printmaking, experimenting with combining media, and more. The summer culminates in an August exhibition of student work in The Drawing Studio Gallery.

Former TPD employee Bachmann writes mystery

A local woman has written a mystery set in the Old Pueblo.

“Obedient Till Death: Waiting for an Order” (PublishAmerica) by Marlene Bachmann tells of what happens after a boy finds a pile of dead greyhound racing dogs on top of a body in the abandoned quarry near “A” Mountain.

“The investigation widens into Mexico and back east to Kansas. Together homicide and narcotic officers uncover plots from drug-running to terrorism, and shed light on the atrocities behind the scenes of greyhound racing,” publicity materials say.

Bachmann is a graduate of Tucson High School and worked in the Tucson Police Department’s communications division.

Send submissions to calendar@tucsoncitizen.com.

DINE & DASH

Thursday, May 14th, 2009

Citizen Staff Report
Dining

Friday is National Pizza Party Day, as if you needed a reason to go for pizza on Friday. Honor the day by supporting these fine local purveyors of pie:

ANGELINA’S

12152 N. Rancho Vistoso Blvd., Suite 170, 742-9595, 11 a.m.-midnight Sundays -Thursdays, 11 a.m.-2 a.m. Fridays-Saturdays

BROOKLYN PIZZA COMPANY

534 N. Fourth Ave., 622-6868, 11 a.m.-11 p.m. Mondays-Saturdays, 11 a.m.-2:30 a.m. Fridays-Saturdays, noon-10 p.m Sundays

GRANDMA TONY’S PIZZA

7878 E. Wrightstown Road (886-4461), 9040 E. Valencia Road (663-1936), 7010 E. Broadway (885-7117), 2451 S. Harrison Road (721-6600), 11 a.m.-9 p.m Sundays-Thursdays, 11 a.m.-10 p.m. Fridays-Saturdays

MAGPIES GOURMET PIZZA

4654 E. Speedway Blvd. (795-5977), 105 S. Houghton Road (751-9949), 605 N. Fourth Ave. (628-1661), 8295 N. Cortaro Road (572-4300), 7315 N. Oracle Road (297-2712), hours vary

MAMA’S FAMOUS PIZZA & HEROES

7965 N. Oracle Road (297-3993), 4500 E. Speedway Blvd. (319-2537), 696 E. 22nd St. (750-1919), 50 S. Houghton Road (751-4600), 11 a.m.-10 p.m. Mondays-Thursdays, 11 a.m.-11 p.m. Fridays-Saturdays

MARIO’S PIZZA

3157 N. First Ave., 622-3668, 11 a.m.-10 p.m. Mondays-Thursdays, 11 a.m.-11 p.m. Fridays-Saturdays

PIZZAZZ! PIZZA BISTRO

1763 E. Prince Road, 325-9040, 10 a.m.-9 p.m. Sundays-Thursdays, 10 a.m.-10 p.m. Fridays-Saturdays

ROCCO’S LITTLE CHICAGO PIZZERIA

2707 E. Broadway, 321-1860, 11 a.m.- 10 p.m. Mondays-Saturdays

SAUCE

5285 E. Broadway (514-1122), 7117 N. Oracle Road (297-8575), 2990 N. Campbell Ave. (795-0344), 11 a.m.-9 p.m. Sundays-Thursdays, 11 a.m.-10 p.m. Fridays-Saturdays

VERO AMORE

3305 N. Swan Road (325-4122), 12130 N. Dove Mountain Blvd. (579-2292), 11 a.m.-9 p.m. Sundays-Thursdays, 11 a.m.- 10 p.m. Fridays-Saturdays

ZACHARY’S PIZZA

1028 E. Sixth St., 623-6323, 4-10 p.m. Mondays, 11 a.m.-10 p.m. Tuesdays-Thursdays, 11 a.m.-11 p.m. Fridays-Saturdays, 2-10 p.m Sundays

ZONA 78

78 W. River Road (888-7878), 7301 E. Tanque Verde Road (296-7878), 11 a.m.-10 p.m daily

Gamelan drumming dreams turn 20

Thursday, May 14th, 2009

Citizen Staff Writer
Byline

DANIEL BUCKLEY

dbuckley@tucsoncitizen.com

Last Friday a small piece of Tucson history was made as the Fine Stream Gamelan delivered its 20th anniversary concert.

The gamelan is an Indonesian folk orchestra, consisting mainly of percussion instruments forged from metal and wood. Tucson’s Fine Stream Gamelan is the brainchild of local composer/percussionist/bamboo expert Matt Finstrom. Over the years, Finstrom has convinced dozens of people to join in pursuit of a local expression for Javanese and Balinese traditional music, as well as new works for those unique and dreamy sounding instruments.

Finstrom’s gamelan dreams have roughly coincided with my own time at the Citizen. I recall going to a party at Finstrom’s house roughly a year after I started with the paper, celebrating his forging of the group’s original great gong. After that he set about creating by hand the numerous kettle and metalophones that would make up early configurations of the gamelan. At the same time he was enlisting recruits to join the group and training them to read the numeric code that serves as a score to the interlocking musical parts.

I had numerous friends in the group over the years, and made many more. Their dedication to the music and Finstrom was serious, and the result was simply amazing, concert after concert. To Finstrom it’s all grown organically and in the right way – like a family. You could see that in the current crop of Fine Stream Gamelan players Friday night, not only in the cooperative spirit in which they bring this music to life but also in a more literal sense as the children of Finstrom and David Dettman have joined the group’s ranks. And out in the audience, almost the same number of former players as were onstage watched the current generation put its stamp on the music, joined by a contingent of about 100 gamelan fans.

The show was a major milestone, underscoring how far this group has progressed in two decades. Along with Finstrom’s handmade Balinese-style instruments there were a number of instruments purchased in Indonesia for the group. Likewise the costuming of the players was closer to traditional garb. And the playing has clearly progressed, with more challenging repertoire becoming the norm. Not that Finstrom ever cut his players any slack in that department.

Musically, the concert was a mix of traditional Indonesian fare and music written by Finstrom over the years, working from traditional styles. Among Finstrom’s contributions were the original composition commissioned from him for the group’s initial appearance 20 years ago, a piece he composed in imitation of shadow puppet music, a piece that won him the 1991 Arizona Composers Forum award, a work blending Javanese and Balinese drumming styles, and the piece FSG played at the 2008 All Souls Procession finale. The latter work was dedicated to the late Rofl Jordahl – an artist and art restoration expert who was a former member of FGS and a beloved member of Tucson’s visual arts community.

Finstrom’s “Swara Manis” (Sweet Sound) is online in its entirety, attached to this column at www.tucsoncitizen.com. There is no substitute for seeing and hearing this music made, so I highly recommend going online to see it.

Watching the show, so many memories came back to me. I recall crowding into the tiny rehearsal space in Finstrom’s house where the players sat packed as close as atoms in a hunk of lead, painstakingly hammering metal bars with one hand while damping the previous bar with the other to keep its tone from clashing with the new sound. I recall when Finstrom’s wife, Holly, was pregnant with their daughter Ariel, now a beautiful 12-year-old who plays with the group. I remember most vividly the night that the father of the gamelan in America – classical composer Lou Harrison – and his partner, Bill Colvig, came out to Finstrom’s house during one of the rehearsals and jammed with them on traditional tunes all knew. Harrison was very impressed, both with the group and the instruments Finstrom created.

I’ve known Finstrom for about 25 years. We met when he was playing a variety of world percussion instruments and jamming with one of my former teachers, Larry Solomon. Over the years I’ve watched Finstrom take on more and more complex chunks of the global sound, through FSG and Sruti – Finstrom’s ensemble for the performance of East Indian music. Always an adept and highly informed player, Finstrom has organically grown as a composer and group leader, creating beautiful works and empowering community members to learn how to play this special music. I wasn’t the least bit surprised to see him nominated for a Lifetime Achievement Lumie Award. He deserved to be so recognized for the powerful contribution he’s made to this community.

It was nice to see his troupe honor him with its first “Gammy” award after the show and acknowledge the patience and perseverance he’s shown over the years. And even better to bask again in the beautiful sounds his labors have produced.

Congratulations, Matt, and many more decades to follow.

Rhythm of the street

Thursday, May 14th, 2009

Citizen Staff Writer
Music

OTTO ROSS

ottoross@tucsoncitizen.com

Local instrumental band Calle Debauche – listing such influences as Frank Zappa, ’70s avant-garde rock and eastern European folk – plays music that is impossible to squeeze into any one genre. It’s also impossible to dance to.

“You want to dance, but you can’t,” says guitarist Mohadev. “Sometimes, people dance because it has danceable elements, but then it’s constantly changing. As soon as you start dancing we’ll go into a noise thing where it’s unclear how to dance.”

“But if somebody is up for the challenge . . . ,” marimba player Chris Halvorsen dares.

Calle Debauche was formed in 2006 as a guitar, bass and drum trio but has since replaced bass with tuba, saxophone and marimba. Mixing horns with rock influences, Mohadev found tuba player Dave LeGendre and sax player Guillem Sarle through their listings on craigslist. LeGendre was looking to play in a small classical band while Sarle was trying to start a funk band of his own. Instead, they both wound up contributing to the eclectic stylings of Calle Debauche.

Mixing horns with rock influences, Calle Debauche – translated as “street debauchery” or “debauchery street” – sounds a bit like an orchestra gone wild.

“We combine a lot of elements that the connection between them is not very obvious,” Mohadev says. “A lot of the stuff we play is really heavy, and I’ve never heard a band playing heavy music with a tuba instead of a bass player or with a marimba player.”

Based on the types of music each musician in the band prefers, this eclectic result is no surprise. According to Mohadev, drummer Fred Malter listens to Latin jazz, tuba player LeGendre prefers metal, Sarle favors funk while Halvorsen jams to folk music and ’70s rock. As for Mohadev, his eclectic tastes include Bulgarian wedding music, death metal and post punk among countless others.

Calle Debauche fuses this elaborate combination into one big genre-bending medley.

“A lot of our music is instrumentation and the blending of different styles in a very seamless way instead of just genre-hopping,” he says. “We combine different styles into the same songs or the same compositions.”

Calle creates these intricate songs using a composing program called Mozart. The program allows the musicians to write arrangements and then play the result back on their computer.

“It sounds like video game music,” Mohadev says.

From there, the musicians print sheet music and pass it to the rest of the band to learn how to play the songs.

“We don’t really know exactly what it’s going to sound like until we start playing it and interpreting what’s been written,” Mohadev says. “We make a lot of stylistic decisions on how to play the parts.”

May 21, Calle Debauche will have a party at Plush to celebrate the release of its first CD. The self-titled disc is a vast departure from the band’s 2007 EP “Potemkin Carnival,” Mohadev says.

“The EP was all over the place. Each song was in a different style,” Mohadev says. “The new one is a lot more focused.”

While audiences at the CD release party may have difficult time dancing to the music, they probably will never be bored, Halvorsen says.

“We try to keep the intensity up so the show is pretty fast paced. Just song after song, we jump from one to another.”

IF YOU GO

What: Calle Debauche CD release party with Flagrante Delicto and Chris Black

When: 9 p.m. May 21

Where: Plush, 240 E. Sixth St.

Price: $5

Info: 798-1298, www.plushtucson.com

RECOMMENDED NEW RELEASES

Thursday, May 14th, 2009

Freelance
Shelf Life

Book reviews by Larry Cox

FICTION

‘The Red Squad’

By E.M. Broner (Pantheon, $24)

Anka Pappas, a professor at an Ohio university, is startled when an envelope containing a confidential file that was kept on her during the 1960s by the Red Squad is tossed on her front porch. She wonders who sent the file to her and why. This profoundly crafted story involves Anka, a group of instructors, a spy, and the separate trails their lives have taken.

‘Cemetery Dance’

By Douglas Preston and Lincoln Child (Grand Central Publishing, $26.99)

The popular characters Pendergast and D’Agosta are tapped once again when William Smithback, a New York Times reporter, and his wife, Nora, a Museum of Natural History archaeologist, are attacked in their apartment on Manhattan’s Upper West Side. Eyewitnesses claim and a security camera shows that the assailant was a strange, sinister neighbor, a man who by all reports had died two weeks before. This tale of magic, cults and sorcery will keep readers entertained to the last page.

‘Sunnyside’

By Glen David Gold (Knopf, $26.95)

This uneven story set in 1916 features Charlie Chaplin at its center. The narrative is a mix of real characters including Mary Pickford, Doug Fairbanks and Adolph Zukor, and a doomed expedition staged against the Bolsheviks. Swept up in the events is Chaplin, who faces such complications as studio moguls, questions about his patriotism, his unchecked heart, and, perhaps, most frightening of all, his mother.

‘Perforated Heart’

By Eric Bogosian (Simon & Schuster, $25)

The third novel by the author of “Talk Radio” is a meditative and lacerating portrait of a writer as he morphs from callow young man to aging literary lion. Partly autobiographical, this double narrative slyly moves back and forth between New York’s underground arts scene of the 1970s and ’80s to the present. While recovering from surgery in his Connecticut country home, Richard Morris finds a cache of old journals and rediscovers the voice of his younger self. Intriguing characters, memorable dialogue and a well-crafted story bring into sharp focus the underbelly of the American Dream.

‘The Secret Speech’

By Tom Rob Smith (Grand Central Publishing, $24.99)

In his second novel, Smith, author of “Child 44,” sets his story against the turmoil and upheaval of the post-Stalinist Soviet Union. Leo Demidov, a former member of the state security force, struggles to build a new life with his wife and their adopted daughters. As the Soviet Union begins to fracture, the dark legacy of Leo’s past career resurfaces to threaten both him and his family.

NONFICTION

‘Why Your World Is About to Get a Whole Lot Smaller: Oil and the End of Globalization’

By Jeff Rubin (Random House, $26)

The chief economist at CIBC World Markets for almost two decades and one of the first to accurately predict soaring oil prices in 2000, is one of the country’s leading energy experts. His new book maps out a plan of how we can benefit – politically, personally and economically – from a future that might in its physical limits resemble the distant past. He builds a convincing case that the American economy can be made stronger if we work to forge “green” alliances between labor and management that are good not just for business but also the very air we breathe.

‘The Center of the Universe: A Memoir’

By Nancy Bachrach (Knopf, $24.95)

When Bachrach’s father is killed in an accident aboard his cabin cruiser, she leaves Paris for the family home in Providence, R.I. Her mother, Lola, is on a ventilator and near death. As Nancy rearranges her life, she rediscovers her brother, Ben, a surgeon who was born with three thumbs, and Helen, the “wild child” and now an “abnormal psychologist.” This memoir is a fascinating blend of dark humor, stark reality and crisp writing.

‘WWII Behind Closed Doors: Stalin, the Nazis and the West’

By Laurence Rees (Pantheon, $35)

This gripping new history of World War II by an award-winning author and documentary filmmaker provides documentation of the little-known secret deals that were struck that helped make the war possible. These deals, which involved Stalin, Churchill and Roosevelt, will change not only the way we think about the war but also the relationships that existed between the Allied powers. Drawing on archives in the East and testimony from nearly 100 separate witnesses, Rees presents a new and disturbing history of the war, raising such questions as: Was it necessary for the British and Americans to surrender so much to Stalin at Yalta? Did the British behave honorably toward the wartime Poles? And were Churchill and Roosevelt as friendly as legend would have us believe?

‘The Silence and the Scorpion: The Coup Against Chavez and the Making of Modern Venezuela’

By Brian A. Nelson (Nation Books, $26.95)

Nelson, who has lived in Venezuela and studied its culture and history extensively as a Fulbright scholar, presents a balanced account about the coup that attempted to topple Chavez during the spring of 2002. As an estimated 1 million citizens marched on the presidential palace demanding the resignation of the democratically elected President Hugo Chavez, a bloody confrontation ensued and within the subsequent 72 hours the country would go through three presidents. What exactly happened during this turbulent period is revealed in depth and through multiple perspectives in this meticulously researched and masterfully written new book.

‘Lowside of the Road: A Life of Tom Waits’

By Barney Hoskyns (Broadway Books, $29.95)

As a fiercely private, enigmatic, talented and mischievous man, Waits is the perfect candidate for a biography. Part carnival barker, part beatnik poet, part avant-garde rabble- rouser and part crooner, Waits began his musical career during the 1970s in Los Angeles. Hoskyns, a British music critic who has written extensively for such publications as The Times, The Guardian, and The Observer, gained unprecedented access to the closest people in Wait’s world. The result is a book that peels away many of the myths as it serves up one of the most nuanced and completed portraits of this remarkable one-of-a-kind artist.

‘Blue Collar, Blue Scrubs: The Making of a Surgeon’

By Michael Collins (St. Martin’s Press, $24.95)

Even though Collins enjoyed his work breaking concrete and throwing rocks for a construction company, he knew that there was more to life than crushing rocks and drinking beer. In his first memoir, “Hot Lights, Cold Steel,” Collins recounted his 4-year surgical residency at the prestigious Mayo Clinic. In his new book, he takes readers back to his early days as a Chicago construction worker and how he reached his soul-searching decision to leave that life and become a doctor. This is an extraordinary book of how one man went from construction worker to medical doctor by hard work, determination and beating the odds.

PAPERBACKS

‘Easy Company Soldier’

By Sgt. Don Malarkey with Bob Welch (St. Martin’s Press, $14.95)

Malarkey was drafted in 1942 and two years later he and his fellow paratroopers provided ground cover for the largest amphibious military attack in history, the Normandy Invasion. In this dramatic account of the bloody battles and dangerous rescue missions he took part in, he paints memorable portraits of the men he trained and fought beside. The Easy Company soldiers were featured in both the “Band of Brothers” book and the HBO miniseries.

‘Chicken Soup for the Soul: The Cancer Book’

By Jack Canfield, Mark Victor Hansen and David Tabatsky (CSS Books, $14.95)

When Elizabeth Bayer, a vibrant Tucson resident, was diagnosed with stage III colorectal cancer, she was determined to fight it. Even though she would eventually lose the battle, her determination and courageous fight are an inspiration to others. In this memoir, her cancer diagnosis, treatment, remission and return are documented along with many of the valuable lessons she learned along the way. In addition to Bayer’s story, there are other real-life experiences that can help others embrace life with cancer as Elizabeth did.

‘Up Till Now: The Autobiography of William Shatner’

With David Fisher (Thomas Dunne Books/St. Martin’s Griffin, $15.95)

One of the real pleasures of this autobiography is its unexpected wit. After almost 60 years as an actor, musician, producer, director and celebrity pitchman, Shatner has stories to tell. Even though he was emerging as an important Broadway actor during the 1950s, it was his role as Captain Kirk in “Star Trek” that brought him lasting fame. Written with all of the kicked-back style of a personal visit, this is a show business tale that is fun, entertaining and out of this world.

Hollywood’s give & take: We give bucks, or TV takes films

Thursday, May 14th, 2009

Citizen Staff Writer
Byline

CHUCK GRAHAM

cgraham@tucsoncitizen.com

Political pundits are always fond of saying, “We get the government we deserve.”

Now the pop culture pundits can chime in with “We get the movies we deserve.”

If thousands of teens buy tickets to see thrill-ride action pics, and only a few thoughtful adults stop by the multiplex to enjoy an intellectually stimulating film, guess which genre gets all the attention from high-rolling studio execs with personal income equal to the national budgets of a smaller Third World country.

Hollywood has now reached the point where studios can turn out 100 special effects extravaganzas for every drama of substance aimed directly at getting an Academy Award nomination.

So write this date down in your movie diary and remember it: April 17, 2009.

That is the day Russell Crowe’s $60 million “State of Play,” a serious film of ethical consequences, opened against “17 Again,” a sophomoric comedy with an infinitely smaller budget, starring youthful Flavor-of-the-Month Zac Efron. Of course Efron’s box office returns stomped all over Crowe’s turnstile earnings.

It’s just like how guys will buy a hefty pickup truck instead of some wimpy little car that’s good for the ecology.

Duhhhh.

So what happens to the true cineast? Where is the art part? Surely our educated citizenry with all that disposable income can’t spend all its time hunched over a laptop on Wi-Fi. Wouldn’t these intellectually curious folks take a little time out to read a book or wonder what’s playing this weekend at the Loft Cinema?

For years, we’ve been saying all the interesting films are smaller budget, independent films. In recent years, a number of famous and bankable actors have gone a little dilettante on us – such as Heath Ledger doing “Brokeback Mountain” – putting out pictures that nobody sees on the big screen but that become little treasures as video rentals.

Sure we all know about that, but here’s the big twist. After the major studios bought up all the little, so-called boutique studios to make the arty movies, audiences still didn’t show up in very large numbers. The extremely excellent “Frost/Nixon,” with one of the most unappreciated performances of all time by Frank Langella as Nixon, couldn’t even reach $19 million in ticket sales.

It is especially cruel that what we remember most about “Frost/Nixon” is its weak performance at sucking money out of people’s pockets. Instead, people should remember that Langella’s profound portrait of Nixon as a world leader in decline is worthy of Shakespearian tragedy.

Believe it or not, with the free-market forces having no hesitation stuffing art up the fireplace, those of us who love moving pictures as an art form are turning to television!

Once you’ve seen each week’s movies at the Loft, there is plenty of week left but no where else to turn. Believe it or not, in the byzantine bazaar of cable TV there are nooks and crannies that resemble the unappreciated FM radio stations of the 1960s.

Remember how the boomer version of rock ‘n’ roll was midwifed by FM radio? Once the kids who were janitors sweeping out the FM radio stations at night could pick the records those stations played in the daytime, rock ‘n’ roll filled the air.

Of those fabled 500 channels of TV, only 400 (more or less) are dedicated to reality reruns. The other cable channels are opening up when low budget but idealistic filmmakers come knocking.

What this means, fellow cineasts, is that we can’t snub television any longer. Too many of the indie flicks are cramming themselves onto those little screens. True, it will be like watching art displayed through a knothole, but we’ll just have to squint a little more and like it.

Hollywood’s give & take: We give bucks, or they take films

Treat Mom to the gift of music

Thursday, May 7th, 2009

Citizen Staff Writer
Mother’s Day

CHUCK GRAHAM

cgraham@tucsoncitizen.com

There will be a swinging side to Mother’s Day this year.

With three separate groups planning jazz events, moms with happy feet can enjoy their favorite music from 9 a.m. to 9 p.m. Sunday.

Opening the day is the poolside Jazz Brunch at the Sheraton Tucson Hotel & Suites, 5151 E. Grant Road, from 9 a.m. to 2 p.m. The hotel has a variety of pampering activities to celebrate Mom as the center of family life, including her own special drink: the Mom’osa. Music will be the bright and bouncy sort of traditional jazz played by the Arizona Roadrunners.

After that, it will be time to scurry downtown for the Mother’s Day Big Band Bash at 3 p.m., sponsored by the newly organized Tucson Jazz Institute, at the Temple of Music and Art, 330 S. Scott Ave. The institute’s students are steeped in the sounds of big bands from the 1930s to ’50s. Their talents will be framed within ensembles named after jazz luminaries Stan Kenton, Count Basie, Duke Ellington and Fletcher Henderson.

All the groups will be joined by Grammy Award-winning sax soloist Brice Winston, a TJI faculty member and a touring regular with New Orleans’ trumpeter Terence Blanchard. Special guests the Blue Note Jazz Combo will perform, introducing a new piece by Max Goldschmid, “Omar’s Enlightenment.”

The Mother’s Day Big Band Bash will include a special package of gifts for every mother and grandmother (and great-grandmothers, too).

In the evening, jazzy families can add Latin spice to the day by taking their moms to St. Philip’s Plaza, 4280 N. Campbell Ave., at East River Road, for a 7 p.m. concert and dance presented by the Tucson Jazz Society. Headlining is the 10-piece Orquesta La Unica led by pianist Amilcar Guevara. Employing musicians from Venezuela, Guatemala, Puerto Rico and Mexico, the band’s repertoire includes traditional and contemporary sounds of Latin America and the Caribbean, including the Cuban-style charanga.

Dancing will be encouraged, with several of the city’s Latin dance clubs using the event to showcase their polished interpretations of these popular steps.

IF YOU GO

What: Mother’s Day Brunch

When: 9 a.m.-2 p.m. Sunday

Where: Sheraton Tucson Hotel & Suites, 5151 E. Grant Road

Price: no cover; brunch and other events priced individually

Info: 321-7621, www.sheraton.com/tucson

What: Mother’s Day Big Band Bash

When: 3 p.m. Sunday

Where: Temple of Music and Art, 330 S. Scott Ave.

Price: $20 adults, $15 students and senior citizens

Info: 514-0935

What: Mother’s Day Latin dance and concert, featuring Orquesta La Unica led by Amilcar Guevara, presented by the Tucson Jazz Society

When: 7 p.m.

Where: St. Philip’s Plaza, 4280 N. Campbell Ave. (at East River Road)

Price: $20 general admission, $15 TJS members, $10 students

Info: 902-1265, www.tucsonjazz.org

OTHER MOTHER’S DAY EVENTS

“FESTIVAL DE REBOZOS” – THE BEAUTIFUL SHAWLS OF MEXICO: The event, presented by the Latin American Art Patrons, a support group of the Tucson Museum of Art, culminates with two public events: the Gala Celebration of Music and Dance and a Mother’s Day/Día de las Madres family celebration. A wide range of handmade rebozos from the finest silk to colorful cotton will be for sale in the museum store during the six-day event. All proceeds will benefit Latin American Art programs, exhibits and acquisitions at the Tucson Museum of Art. Viewing hours are: 10 a.m.-4 p.m. Tuesdays-Saturdays, noon-4 p.m. Sundays. Here’s the schedule: • 6 p.m. Saturday: Gala Celebration will feature Mexican appetizers, and a program on the history of rebozos in music, poetry and dance. Mariachi Luz de Luna and Folklorico San Juan will perform and the night’s guest MC will be Lupita Murillo of KVOA News 4. A fashion show demonstrating the many ways of wearing them will conclude the evening. Tickets are $30 a person. No- host bar will be available. • Noon-4 p.m. Sunday: Mother’s Day/Día de las Madres. A family celebration in which people can bring in rebozos from their family for expert evaluation, and watch a master weaver demonstrate her craft. There will be booths selling aguas frescas, churros and paletas (fresh fruit popsicles), and a photo booth for a family portrait. Admission to the event and museum is free. Where: Tucson Museum of Art and Historic Block, 140 N. Main Ave. Info: 624-2333, www.tucsonmuseumofart.org

MOVIES WITH MOM: “ALL ABOUT EVE”: Spend a special Mother’s Day with the woman who brought you into the world and the ever-fabulous Bette Davis in one of her more notorious roles. “All About Eve” is all about women clawing their way to the top. Davis stars as Margo Channing, a New York theater star whose protégée Eve (Anne Baxter) turns out to be quite the backstabber. But don’t worry, Eve doesn’t sit back and take it. All moms in attendance will receive a fresh-cut flower while they last, and there will be a free raffle for a basket of goodies that will make your mama feel special. The cherry on top? Mimosas will be for sale. (As the Loft says, “everyone in the movie is drinking, so why shouldn’t you?”) When: 1 p.m. Sunday Where: The Loft Cinema, 3233 E. Speedway Blvd. Price: $7 Info: 795-0844, www.loftcinema.com

SUNDAY

“MUSIC UNDER THE STARS”: Enjoy sweet music in the park with mom. The Tucson Pops Orchestra kicks off its “Music Under the Stars” 2009 season directed by Laszlo Veres. Performing with the orchestra will be local artist Crystal Stark. A magna cum laude graduate of UA, Stark was one of American Idol’s top 44 contestants in 2006. Adding to the entertainment, the Tucson Girls Chorus will perform under the direction of Marcela Molina. When: 7 p.m. Sunday Where: Reid Park – DeMeester, 900 S. Randolph Way Price: Free Info: 722-5853, www.tucsonpops.org

‘Penny postcards’ can be worth big bucks

Thursday, May 7th, 2009

Freelance

Postcards are among America’s favorite collectibles. Since this is National Postcard Week, it seems a perfect time to discuss their collectibility and salute one of the area’s best clubs for enthusiasts, the Tucson Post Card Exchange.

According to Kovels’ Antiques & Collectibles by Ralph and Terry Kovel, the first legally permitted postcards originated in Austria in 1869. The first “penny” postcards were mailed in the United States in 1872. Most of the picture postcards are from the early years of the last century.

The price of postage fluctuated, so it is often possible to determine when a card was mailed both by the postal mark and the amount of the stamp. For example, the rates are 1872 (1 cent), 1917 (2 cents), 1919 (1 cent), 1925 (2 cents), 1928 (1 cent), 1952 (2 cents), 1958 (3 cents), 1963 (4 cents), 1968 (5 cents), 1971 (6 cents), 1973 (8 cents), 1975 (7 cents), 1976 (9 cents), 1978 (10 cents), March 1981 (12 cents), November 1981 (13 cents), 1985 (14 cents), 1988 (15 cents), 1991 (19 cents), 1995 (20 cents), 2001 (21 cents), 2002 (23 cents), 2006 (24 cents), and 2007 (26 cents).

Postcards can vary in price depending on rarity, condition and desirability. A quick check of eBay revealed dozens of interesting cards being offered for sale including a Halloween card depicting a black cat from the 1920s, $35; a real photo image of Phoenix from 1910, $45; a Santa in blue robes promoting a laundry soap, circa 1915, $65; a view of the Titanic, $275; and a series featuring seven movie stars from the 1930s (Greta Garbo, Clark Gable, Jean Harlow, Joan Crawford, Gary Cooper, Mae West and George Brent), $65 for the set.

The value of postcards has continued to increase, especially for older, more desirable cards. In special demand are holiday cards, designs by important illustrators such as Hank Feilig and Harrison Cady, cards relating to politics and labor, and images of small town America.

One of the premier clubs is the Tucson Postcard Exchange Club. Members meet the first Sunday of each month at 2:30 p.m. at the Pima County Medical Society Building, 5199 E. Farness. The meetings are open to the public. Membership dues are $15 per year.

For additional information, contact club president Jack Mount at jdmount@cox.net

LARRY COX

‘Tuna Does Vegas’

Thursday, May 7th, 2009

Citizen Staff Writer
Stage

CHUCK GRAHAM

cgraham@tucsoncitizen.com

Those wacky west Texas folks from Greater Tuna, proud to be known as the “third smallest town” in the Lone Star State, are getting out of town.

For the first time since this trilogy to rural life became a four-part series, fans will get to watch as “Tuna Does Vegas.” The nationally touring production opens Tuesday for a week of shows in the downtown Fox Theatre, 17 W. Congress St..

Think of the Beverly Hillbillies without all that oil money. Think of Greater Tuna’s own Vera Carp with her tight-jawed Christian values, convinced those Sodomites of Gomorrah are discovering new naughty words in Las Vegas. As a card-carrying member of Smut Snatchers of the New Order, it is her god-given duty to see these new words are banned as soon as possible.

“Gomorrah is what she calls Las Vegas,” says Joe Sears, on the phone with a smile in his voice.

Maybe that name Gomorrah has the weight of the Old Testament behind it, but Sin City would have been easier to spell. Even so, Sears co-created the character of Vera and a dozen other dusty eccentrics, working with Jaston Williams and Ed Howard. Sears and Williams also do all the acting. Howard directs.

Back around 1980, these three pals living in Austin, were creating a string of skits using corn pone humor to satirize political issues of the day. Right-wing religious groups were in the news a lot. But then it turned out that one of the most popular characters was Petey Fisk, a worried soul determined to prevent cruelty to all animals.

“Greater Tuna” was the right show at the right time, and its popularity soared in regional theater. Sears, Williams and Howard followed up |with “A Tuna Christmas” in 1989, then the Independence Day-based “Red, White and Tuna” in 1998. This rednecked Tuna Trilogy was keeping the three lads busier than a hound dog in a rabbit pen.

Back in 1995, “A Tuna Christmas” even enjoyed a box-office-smashing, Tony Award-nominated, run on Broadway. As always, Sears and Williams played all the roles, male and female, becoming remarkable quick-change artists in the process.

“We are professionally trained character actors who are keen observers of humanity,” Sears explains proudly.

For the last couple of years, this team has been developing “Tuna Does Vegas” on the road. The show’s premise is that Bertha Bumiller, with a closet full of polyester pantsuits, and Arles Struvie, her conservative radio talk show host husband, have decided to renew their marriage vows with a meaningful ceremony in Las Vegas. Suddenly all those beloved Greater Tuna residents find reasons they should go to Las Vegas, as well, at exactly the same time.

IF YOU GO

What: Broadway in Tucson presents “Tuna Does Vegas” with the original cast of Joe Sears and Jaston Williams

When: 7:30 p.m. Tuesday-Thursday, 8 p.m. Friday, 2 and 8 p.m. Saturday, 1 and 6:30 p.m. Sunday

Where: Fox Theatre, 17 W. Congress St.

Price: $25-$50

Info: 903-2929, www.broadwayintucson.com

Summer movie preview

Thursday, May 7th, 2009

Citizen Staff Writer
Cover story

CHUCK GRAHAM

cgraham@tucsoncitizen.com

Here in the summer of 2009, when virtually all the strutting tent-pole pictures are action movie sequels, audiences hungry for mythic conflicts between an unstoppable power and an immovable force can feast on every kind of big-screen crackle and crunch in wrap-around deep seated stereo.

My advice is to just think of your favorite multiplex as an amusement park and go with it. We get the massive clang of “Transformers: Revenge of the Fallen” (partly filmed in Tucson), the personal tragedies on an operatic scale of “X-Men Origins: Wolverine,” the fire power frenzy of killing machine madness in “Terminator Salvation” and – in outer space – the roots of science fiction philosophy with “Star Trek,” taking us back to the day when Kirk and Spock were scarcely more than space cadets manning the recently commissioned starship Enterprise.

And that is just in May. Well, OK, “Transformers” had to settle for a release date in June, but even then the percussive echoes of all the others will still be ringing in your ears.

Religion scholars and conspiracy theorists finally get to gnaw on more of Dan Brown’s convoluted Catholic theories in “Angels & Demons,” with Tom Hanks coming back as the intrepid code breaking academic Robert Langdon.

Moviegoers with children do have a little something to anticipate in May, the new Disney-Pixar fantasy “Up.” Not that anyone is counting but all nine animated films Pixar has released, beginning with “Toy Story,” have been hits. Will “Up” keep the string alive?

June and July mix it up a little more, introducing some actual comedy from such diverse talents as Sacha Baron Cohen (“Bruno”), Will Ferrell (“Land of the Lost”) and Woody Allen (“Whatever Works”). We do have to wonder if Allen’s films are still relevant, though his last picture “Vicky Cristina Barcelona” did well enough.

But the big bucks are riding on “Harry Potter and the Half-Blood Prince,” racing to keep ahead of the real life adolescence of Daniel Radcliffe, Rupert Grint and Emma Watson. All three actors have literally grown up playing the parts of Harry, Ron and Hermione. The best news about this astounding series is that British director David Yates is back on the set for his second Potter assignment after directing “Harry Potter and the Order of the Phoenix” in 2007.

Tucsonans may feel a more personal connection to Johnny Depp’s performance as John Dillinger in “Public Enemies.” No word yet if there is any mention of Dillinger’s stay at the downtown Hotel Congress and eventual capture here in 1934. We do know Christian Bale plays the FBI agent Melvin Purvis, the nemesis of Dillinger. The bank robber was finally gunned down in front of the Biograph Theater in Chicago.

People who enjoy films with actual content can come out in August, as the cinema offerings get a little more arty. The month will be owned by Meryl Streep, doing another accent as television personality chef Julia Child in “Julie & Julia.” Cast as the ingenue fascinated by the older woman is Amy Adams.

Streep fans know summer has been very good for the actress of late, with those hits “The Devil Wears Prada” and “Mamma Mia!”

August also brings a new movie from director Ang Lee, adapting “Taking Woodstock” from the memoir written by Elliot Tiber. The story is a comedy, with some gender identity issues involved, about Tiber’s plans to stage that pivotal rock ‘n’ roll weekend.

To end the summer on a sweet note is “Ponyo,” created by the Japanese animation genius Hayao Miyazaki. After sneaking up on American audiences with “Spirited Away” and “Howl’s Moving Castle” that won many awards, the artist now has the backing of Disney’s John Lasseter.

“Ponyo” will be voiced in English by such established names as Matt Damon, Cate Blanchett, Liam Neeson and Tina Fey. Also in there are the younger siblings of Miley Cyrus and the Jonas Brothers – little Noah Cyrus as the small fish that longs to be a human girl and Frankie Jonas as the boy who wants to be the fish’s friend.

CHUCK’S PICKS

What with getting bombarded by Hollywood’s massive special effects machine all summer, we turn to the people making movies for people who love movies: independent filmmakers.

Sure, some of the actors and directors are famous, but the film budgets are lower and the stories are better. Some of the stories sound like they could be about actual human beings.

• “Cheri,” directed by Stephen Frears, stars Michelle Pfeiffer, who has gone from being Catwoman in 1992 to playing a present-day cougar, enchanting a 19-year-old lad played by Rupert Friend. According to the bio material, Pfeiffer is 50. According to the press photos for “Cheri,” she is also ravishing.

• “Brüno” brings back performance artist and comedian Sacha Baron Cohen in another of his improvising roles designed to make small-minded people look even smaller. Who can resist that combination? The early buzz is that this character, a gay fashion reporter from Austria, is as funny as Borat, the guy from Kazakhstan.

• “Dead Snow” is from Norway, where in 1945 German soldiers were slaughtered by angry locals. Now it is the 21st century and those undead souls are restless Nazi zombies who begin feeding on local college med school students. What’s not to like?

• “The Boat That Rocked” brings Philip Seymour Hoffman together with Emma Thompson and Kenneth Branagh to tell the story of a pirate radio ship in 1966, assaulting England from international waters with the finest rock ‘n’ roll of the day. The Beatles, the Rolling Stones, the Who, all that crowd are in the air 24/7.

• “Cold Souls” stars Paul Giamatti in a surreal comedy about a mildly famous actor who decides to have his soul, rather than his body, placed in cold storage to wait for better times when he could become more famous. The setup is being compared to “Being John Malkovich.” Being Paul Giamatti definitely sounds more twisted.

RECOMMENDED NEW RELEASES

Thursday, May 7th, 2009

Freelance
Shelf Life

FICTION

‘Red April’

By Santiago Roncagliolo (Pantheon, $24.95)

This stunning debut novel, set in Peru during Holy Week in March 2000, centers on a charred body that is found in a hayloft. Felix Chacaltana, a hapless by-the-book prosecutor in Lima, is put in charge of the bizarre and horrible murder investigation and soon realizes what it means to be ethical in a lawless land. This fast-paced book is by one of Latin America’s most promising authors and is full of plot twists.

‘The Winter Vault’

By Anne Michaels (Knopf, $25)

In 1964, Avery, an engineer, and Jean, his wife, a botanist, settle into a houseboat that is moored on the Nile River. Avery, who is responsible for the dismantling and reconstruction of a temple that is being rescued from the rising waters of the Aswan Dam, is a “machine worshiper.” His wife is interested in everything that grows. This story of forgiveness and consolation is stunning in its exploration of both the physical and emotions worlds of its two main characters.

‘Hold Love Strong’

By Matthew Aaron Goodman (Touchstone, $24.99)

This debut novel is a literary paean to the power of family and belonging in the African-American community. Abraham Singleton, born to a 13-year old girl in the Ever Park Housing Projects in Queens, learns from an early age what it feels like to struggle. As he grows older, his mother becomes addicted to crack, his uncle is arrested and convicted of a serious crime, and the cousins begin dealing drugs. Somehow, Abraham learns to survive through love and hope. This spellbinding coming-of-age story is about learning to cope and surviving the odds.

‘Assegai’

By Wilbur Smith (Thomas Dunne Books, $27.95)

Smith combines the passions of Africa and the intrigue that stretches from England and Germany to the Masai tribal region of the African continent in this latest novel about the Courtney family. Set against the backdrop of pre-World War I, the story finds Leon Courtney recruited by his uncle to gather information from Count Otto Von Meerbach, a German industrialist whose company builds aircraft and vehicles for the Kaiser. His plan is doomed for failure when he falls in love with Eva von Wellberg, the Count’s mistress.

‘The Bascombe Novels’

By Richard Ford (Everyman’s Library, $35)

This trilogy of brilliant novels – “The Sportswriter,” “Independence Day” and “The Lay of the Land” – was written by an author whose rich body of work includes six novels and three collections of short stories. His gifted writing instantly pulls readers into lives that have been irrevocably changed, whether by the loss of a marriage, a career or the death of a child. “Independence Day” was awarded both the Pulitzer Prize and the prestigious PEN/Faulkner award.

‘Dust and Shadow: An Account of the Ripper Killings’

By John H. Watson by Lyndsay Faye (Simon & Schuster, $25)

During the summer of 1888, Scotland Yard’s Inspector Lestrade reluctantly calls on Sherlock Holmes to help track down Jack the Ripper, a serial murderer terrorizing the East End district of Whitechapel. A possible break is Mary Ann Monk, a struggling young woman and a friend of Jack’s first victim. Twists and turns continue as Holmes becomes more and more obsessed with the investigation. After a careless moment when he is stabbed and the unidentifiable culprit escapes, the great detective realizes he must break every rule to catch “the Knife” before it is too late.

‘The Sign’

By Raymond Khoury (Dutton, $26.95)

This novel is built on a intriguing premise, namely what if there was a phenomenon so special that it would end all wars and unite all of humanity regardless of race, religion and political affiliation? When a scientific expedition drops anchor to witness a cataclysmic breakup of the ice shelf in Antarctica, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in a mysterious white glow. The light vanishes and people throughout the world begin to wonder if it a sign from God or merely a hoax?

NONFICTION

‘Kazan on Directing’

With a foreword by John Lahr (Knopf, $30)

Without a doubt, Elia Kazan was the mid-20th century’s most celebrated director of both stage and screen. Born in Istanbul, he studied at Yale, worked with Lee Strasberg, eventually founding the Actors’ Studio in 1947. His credits include such seminal productions as “A Streetcar Named Desire” (both stage and screen), “Cat on a Hot Tin Roof,” On the Waterfront,” “East of Eden” and “Baby Doll.” Drawn from his notebooks, letters, interviews and autobiography, this remarkable book shows the master at work.

‘The Protest Singer: An intimate Portrait of Pete Seeger’

By Alec Wilkinson (Knopf, $22.95)

Pete Seeger’s amazing talent and his musical grace and passion for social justice helped transform folk singing into a high form of peaceful protest during the second half of the 20th century. Seeger became a professional musician during the 1930s. With Woody Guthrie, he formed the Almanac Singers, a union that helped trigger the protest movement of the 1960s. Along the way, he got himself blacklisted. This highly readable book is the story of a true American original.

‘A Day in the Life: One Family, the Beautiful People, and the End of the Sixties’

By Robert Greenfield (Da Capo, $24.95)

During the 1960s, Tommy Weber and Susan “Puss” Coriant were two young and extraordinarily beautiful members of the British upper class. They palled around with the likes of Keith Richards, Mick Jagger, Eric Clapton and Jimi Hendrix. “A Day in the Life” is the story of their fortunes and misfortunes that ended with Puss’ death in 1971, and Weber’s arrest and eventual sentence at Wormwood Scrubs prison, one of London’s most notorious. This highly readable cautionary tale centers on two privileged people who lost their bearings in a hazy world of drugs, free love and unfulfilled dreams.

‘Gabriel Garcia Marquez: A Life’

By Gerald Martin (Knopf, $37.50)

This is the first full and authorized biography of the best-selling novelist and winner of the Nobel Prize in Literature. Born in 1927 and raised by grandparents and a clutch of aunts in a small backwater town in Colombia, Garcia Marquez is, perhaps, best known for “One Hundred Years of Solitude,” an epic novel he published when he was 40. This balanced, superbly researched book is a sumptuous literary banquet filled with insight, perception and an absolute passion for life.

‘Lost Boy’

By Brent W. Jeffs with Maia Szalavitz (Broadway, $24.95)

The author is the nephew of Warren Jeffs, the “President and Prophet Seer and Revelator” of the Fundamentalist Church of Jesus Christ of Latter-Day Saints, and grandson of Rulon Jeffs, the group’s former prophet. In this book, he provides an unflinching, inside look at this sect and explains that he was excommunicated for maintaining contact with his “gentile” relatives. The first in his immediate family to speak out, Brent Jeffs reveals his harrowing youth including the painful memories of abuse and of his eventual escape from the cult during his adolescence. This is religion on crack and it is not a pretty picture.

‘Your Best Birth: Know All the Options, Discover the Natural Choices, and Take Back the Birth Experience’

By Ricki Lake and Abby Epstein (Wellness Central, $22.99)

To help women take back the birth experience, advocates Lake and Epstein explore both the positive and negative effects of epidurals and investigate the country’s staggering C-section rate. In addition to never-before-told birth stories by such celebrities as Cindy Crawford, Laila Ali and Melissa Joan Hart, their guide provides crucial advice from medical professionals, served up in a down-to-earth, engaging and honest format.

‘Bottom of the Ninth: Branch Rickey, Casey Stengel, and the Daring Scheme to Save Baseball from Itself’

By Michael Shapiro (Times Books, $26)

Shapiro, author of the previous best-seller “The Last Good Season: Brooklyn, the Dodgers, and Their Final Pennant Race Together,” has once again hit it out of the literary park. This is the story of two baseball legends at their watershed moment in baseball history: Branch Rickey, the retired executive who pioneered racial integration and the modern-day farm system, and Casey Stengel, one of the most famous managers in baseball, and the stunning climax in the seventh game of the 1960 World Series. This retelling of a little-known chapter in baseball history is exemplary sports reporting.

‘World War One: A Short History’

By Norman Stone (Basic Books, $25)

Stone’s latest book draws on his vast knowledge of World War One to provide a fresh and refreshingly brief perspective for an event that killed 14 million combatants, wounded an additional 20 million and destroyed four empires. Concise, captivating and highly readable, this is a brilliant piece of reporting by one of the world’s authorities of European history.

‘The First Tycoon: The Epic Life of Cornelius Vanderbilt’

By T.J. Stiles (37.50)

In this elegantly written biography, Stiles, a San Francisco-based writer and former professor at Columbia, tackles the incredible life of Cornelius Vanderbilt. He was born on Staten Island, left school when he was 11, and five years later bought a boat that he used to ferry passengers between Staten Island and Manhattan. By the time he was 40, he had a fleet of ships, eventually turning his attention to railroad financing. In what could have been a rather dry book, Styles humanizes this iconic man and explains how he, more than any other individual, helped create the economic world in which we live today. This is exciting history that is crisply written and full of fascinating details and unexpected surprises.

PAPERBACKS

‘Was Superman a Spy? and Other Comic Book Legends Revealed’

By Brian Cronin (Plume, $14)

Cronin, producer of the Comics Should Be Good blog and a noted comic book historian, answers such questions as which comic book hero inspired Elvis Presley’s trademark hair, what black superhero was changed at the last moment to a white hero, and was Superman a spy. The 70-plus years of comic book industry history are filled with myths and rumors, and quicker than a speeding bullet, Cronin sorts out the truth from the fiction.

‘Busy Woman Seeks Wife’

By Annie Sanders (Grand Central Publishing, $13.99)

Alex Hill, a high-flying marketing executive at a global sportswear company, is dismayed when she discovers her cleaning lady has been using her apartment to turn tricks in the afternoon. With so much to juggle, she begins to realize that she doesn’t need just another cleaning woman, she needs a wife.

‘A New Breed of Leader: 8 Leadership Qualities That Matter Most in the Real World’

By Sheila Murray Bethel (Berkley, $16)

Global leadership expert and bestselling author Murray Bethel is convinced that becoming a good leader depends on eight essential qualities: competence, accountability, openness, language, values, perspective, power and humility. Filled with stories about and interviews with successful leaders such as Andrea Jung, CEO of Avon, Howard Schultz, CEO of Starbucks, and Indra Nooyi, CEO of Pepsico, Bethel’s guide provides valuable insights on how to take advantage of her immediately usable action steps.

‘The Idiot Girl and the Flaming Tantrum of Death: Reflections on Revenge, Germophobia, and Laser Hair Removal’

By Laurie Notaro (Ballantine, $14)

A word of warning: This book is so funny, it will cause you to snort coffee out your nose, if you’re drinking coffee. This collection of true-life essays, her fifth, includes stories of how her cat broke its nose, the best way to laser away unwanted hair, and the sad fact that you can’t be a badass while driving a Prius. Notaro, who loves goat cheese, is better therapy than a year on the couch.

YOUNG READERS

‘Too Perfect’

By Trudy Ludwig with illustrations by Lisa Fields (Tricycle Press, $15.99)

Masie thinks Kayla is perfect. She’s pretty, she’s thin and she wears cool clothes – but is she really happy? This story explores the relentless and destructive drive for perfection and the freedom that comes from accepting oneself. (Ages 3-8)

‘Down by the Station’

By Jennifer Riggs Vetter with illustrations by Frank Remkiewicz (Tricycle Press, $15.99)

This book is certain to attract the attention of young readers who are fascinated by trains, trucks, boats and planes. In this action-packed expanded version of the classic children’s rhyme, toddlers and preschoolers will love to make the same sounds that the machines make, from waHONK to WeeOOO. (2-4 years)

‘What Can You Do With a Paleta’

By Carmen Tafolla with illustrations by Magaly Morales (Tricycle Press, $14.99)

A paleta, the traditional Mexican fruity popsicle treat, is at the center of this colorful new book. With a paleta you can find a new friend, cool off on a hot day and even create a masterpiece. (Ages 3-6)

TUCSON TALENTS

Thursday, May 7th, 2009

Citizen Staff Writer
Entertainment

Entertainment news about personalities and events with an Old Pueblo connection.

Fourkiller Flats host CD

release party at Plush

It’s a comeback. Tucson’s Southern rock group Fourkiller Flats were on their way a few years ago, but imploded on the trip. Now they’ve put together some new material they’ve been playing around, and here’s the new CD, “Treasure and Trash” to support that. When: 9:30 a.m. Friday Where: Plush, 340 E. Sixth St. Price: $5 Info: 798-1298, www.plushtucson.com

Local authors Gunn, Hayes

sign their new books

Mostly Books hosts a book signing for Southwest Crime Ink members Elizabeth Gunn and J.M. Hayes.

Gunn has a new Sarah Burke novel, “New River Blues,” a sequel to “Cool in Tucson” with a downtown reconstruction project as a backdrop to a double murder.

Hayes has a new Mad Dog and Englishman mystery called “Server Down,” with murder and bombings tied to a computer fantasy game that brings light to election fixing and police corruption. When: 1-2 p.m. Saturday Where: Mostly Books, 6208 E. Speedway Blvd. Price: free Info: 571-0110

Desert Sons celebrate

release of new CD

First off, happy 20th to the Desert Sons!

For two decades, the band has performed its blend of contemporary and traditional Western music, and now it’s time for CD No. 5, “Songs Along the Trail.”

The band has made a name for itself emulating the silver screen’s “singing cowboy” style made popular by the likes of Roy Rogers, Gene Autry and Arizona’s own Rex Allen. Advance tickets available at Antigone Books, 411 N. Fourth Ave., and Plaza Liquors, 2642 N. Campbell Ave. When: 6:30 p.m. Saturday Where: Old Town Artisans, 201 N. Court Ave. Price: $15 advance, $18 at the door Info: 319-9966, www.rhythmandroots.org

‘Supernanny’ on the hunt for bad Tucson-area kids

Attention, Tucson parents: ABC TV wants you and your unruly kids.

The network is casting families for its “Supernanny” and “Supermanny” shows in which Jo Frost and Mike Ruggles, respectively, help frazzled and desperate parents regain control of themselves and their out-of-control children.

Interested moms and dads can apply online at www.supernanny.com or call 877-626-6984 for more information.

Singer-songwriter back

after 4-year hiatus

Longtime Tucson singer-songwriter Austin Counts played with Club Gotham’s house band, Union 5, back in the day. Internal strife eventually broke up the band, leading Counts and his acoustic act to go solo.

After a four-year hiatus from the music scene, he follows his 2004 CD, “Acoustic Skeletons” with his new “You Are the Scene.” The party will be in Plush’s lounge. When: 9:30 p.m. Sunday Where: Plush, 340 E. Sixth St. Price: free Info: 798-1298, www.plushtucson.com

Send submissions to calendar@tucsoncitizen.com.

See all the energy in ‘Unknown’

Thursday, May 7th, 2009

Citizen Staff Writer
Byline

Art always goes in search of deeper truths. Otherwise, it isn’t really art. But sometimes, that deeper truth comes looking for the artist.

Just ask Renée Scheltema. The Dutch filmmaker traveled to the Arizona International Film Festival recently with a story of spending her own money and eight years of her life to develop and produce the documentary, “Something Unknown Is Doing We Don’t Know What.”

She insisted Tucson be the city for the world première of this film connecting quantum physics and the paranormal because a similar documentary “What The (bleep) Do We Know?” was warmly received here back in 2004. That controversial picture, using quantum physics to explain spiritual forces, played in the Old Pueblo for more than six months.

“I started thinking of my film in 2000,” says Scheltema, “Long before ‘What the (bleep)’ came out.”

Her inspiration was far more direct, a series of three seemingly mysterious examples of telepathic forces in her personal life. Those events convinced Scheltema deeper truths were being discovered in the present-day pioneering work of psychic phenomena specialists as well as physicists doing research in the quantum realm.

“I just started writing. I had more than 350 pages. It was philosophy, it was also a story. Then I reduced it down to 150 pages, and asked two people I respected if they thought this had promise as a movie script,” Scheltema explains.

Fortunately, one of those people was the Dutch filmmaker Paul Verhoeven (“Basic Instinct,” “Robocop,” “Total Recall”). He encouraged her.

While continuing to work as an independent filmmaker in Dutch and South African television, Scheltema was funneling her own money into this special project. Using the working title “Soul Safari” she ended up with 100 hours of videotape.

Oops, that would be a really long movie. Feeling that every edit was like slicing off another pound of her own flesh, she painfully trimmed the videotape down to six hours.

Exhausted, she hired a merciless editor who reduced those six hours to 90 minutes. But then Scheltema couldn’t stand it. She added back 15 of those precious, edited minutes.

Sometimes too much editing is just too much. All those brutal cuts and then changing to that long, intriguing title must have worked, though. At the Arizona International Film Festival, her 105-minute “Something Unknown Is Doing We Don’t Know What” received the Special Jury Award. That honor sets the pace for recognition from the 12 additional festivals she has submitted to.

Scheltema has taken a hard line in her investigation, using techniques much like a journalist.

“I wanted to avoid any religious connection,” she says. “And I knew the scientists would give the film credibility, but I also wanted to go beyond quantum physics.”

Basically, Scheltema’s objective is to demonstrate that psychic abilities are part of our inherent nature; that these mysterious forces are examples of real forces following the same laws of physics as everything else. Forces that only now are beginning to be explained with laboratory experiments.

The five fields are: telepathy (mind reading), precognition (seeing into the future), psychic healing, telekinesis (using the mind to move objects) and clairvoyance (remote viewing).

The most convincing interview is with Gary Schwartz, a psychology professor at the University of Arizona, no less. His lengthy explanations connect psychic energy to electrical energy. He uses logic similar to the connections quantum physicists made that raised so many eyebrows in “What The (bleep).”

The truth that pursued Scheltema so doggedly, pushing her to record some of these early scientific explorations along the frontier of inner knowledge, has been rewarded with a worthy display of ideas. See for yourself at somethingunknown.com.

CHUCK GRAHAM

DINE & DASH

Thursday, May 7th, 2009

Citizen Staff Writer
Dining

The first week in May is National Bread Pudding Recipe Exchange Week, a great time to sample the dessert at these local eateries, though you may have some trouble getting the chefs to divulge their recipes.

BLUEFIN SEAFOOD BISTRO

7053 N. Oracle Road, 531-8500, 11 a.m. -9 p.m. Sundays-Thursdays, 11 a.m.-11 p.m. Fridays-Saturdays

Sourdough Bread Pudding with kiln-dried cherries and bourbon crème anglaise.

ECLECTIC CAFE

7053 E. Tanque Verde Road, 885-2842, 11 a.m.-9 p.m. Mondays-Fridays, 8 a.m.-9 p.m. Saturdays, 8 a.m.-8 p.m. Sundays

Old Fashioned Bread Pudding

ELLE WINE COUNTRY RESTAURANT

3048 E. Broadway, 327-0500, 11:30 a.m.-9 p.m. Mondays-Saturdays, 4-9 p.m. Sundays

Warm Bread Pudding with cinnamon and golden raisins, topped with a bourbon cream sauce.

FLYING V BAR & GRILL

7000 N. Resort Drive, 615-5495, 5:30-9:30 p.m. Sundays-Thursdays, 5:30-10 p.m. Fridays-Saturdays

Raspberry Croissant Bread Pudding with butterscotch ice cream

JONATHAN’S CORK

6320 E. Tanque Verde Road, 296-163, dinner from 5 p.m. nightly

New Orleans-style Bread Pudding

O’SHAUGHNESSY’S STEAKHOUSE & PIANO BAR

2200 N. Camino Principal, 296-7464, 5:30-10 p.m. Wednesdays-Sundays

Signature Bread Pudding with bourbon sauce

MONTANA AVENUE

6390 E. Grant Road, 298-2020, 11 a.m.-9:30 p.m. Sundays-Thursdays, 11 a.m.-10:30 p.m. Fridays-Saturdays

Kentucky Bourbon Bread Pudding with spiced sour cherries and candied pecans

VIVACE

4310 N. Campbell Ave., 795-7221, 11:30 a.m.-9 p.m. Mondays-Thursdays, 11:30 a.m.-10 p.m. Fridays-Saturdays

Warm bread pudding made with croissants and apples in a Tuaca caramel sauce

Dine & Dash: bread pudding that rises above the rest