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Posts Tagged ‘Brian Mori’

Tucsonan uses hip-hop to shout out on issues

Thursday, April 2nd, 2009

Citizen Staff Writer
Music

BRIAN MORI

bmori@tucsoncitizen.com

Nearly everyone at some point is compelled to speak out on an issue. For instance, most Americans have something to say about the cause of or maybe even how to fix the economy.

But with so many of us losing jobs, homes, faith in government and loved ones to war, it’s hard to know what to say, much less how to be heard.

So when Mike Adams, the 39-year-old founder and chief exective of Wyoming-based Ariel Software, decided he wanted to shout out what he felt, he figured hip-hop would grab people’s attention.

“I really came to appreciate the medium of rap as an expression of free speech. . . . I decided to embrace the power,” he says during a phone interview last month.

He spent a year studying LL Cool J, Eminem, AKON and, particularly, Kanye West – “a master of delivery,” Adams says.

In late 2008, Adams wrote and recorded his first of two songs, “SSRIs – S.S.R. Lies” and “Where’s My Bailout Money?”

The latter is a semi-satirical call both to government and American society to be accountable for the current state of the economy.

“I don’t agree with fictitious money and inflating the supply. If you’re going to do it, you should give (the money) straight to the people,” says the novice rapper, who’s lived in Tucson for six years.

Adams says his lyrics encompass two voices beyond his own: that of greedy wall street bankers and bewildered Americans.

As the banker, he raps, “I’m a new kind of thug with a Washington buzz, ’cause dealing debt pays better then dealing drugs.”

Asserting his own viewpoint, he continues, “The politicians are useless, don’t you know that they used us? And the bankers refused us, while the media schooled us.”

Adams explains, “The media taught the people to accept this. USA TODAY and The New York Times bought into the fearmongering of the Bush administration.”

In his second song, “SSRIs – S.S.R. Lies,” Adams draws a connection between violence in schools and the use of selective serotonin reuptake inhibitors to treat attention deficit disorder in children.

Adams claims that most kids who have committed mass school shooting tragedies have taken SSRIs.

“It’s just about public service,” he says of his music.

He’s packaged both songs under the title “Beyond all Reason,” which you can hear on www.naturalnews.com, a health-related site he edits.

Both “Bailout” and “SSRIs” can be found on YouTube as well.

Adams is now working on another song, this one about the health care industry. Along the lines of “S.S.R. Lies,” Adams’ next rap will question the ethics of major health care companies, specifically those producing cancer treatment technology.

He says the amount of money that the “cancer industry” makes distracts it from an obligation to educate the public about natural ways of preventing the disease.

Adams, a self-proclaimed “health ranger,” has devoted his life “to educate people . . . to achieve and maintain peak human health.”

He says people aren’t skeptical enough of the information provided to them.

“I don’t demand that people agree with me. The real problem is that people don’t ask, they just agree” with the status quo.

His music and lyrics are targeted to pop fans in their mid-20s, those he says would be most interested in discussing the economy and other pressing social issues. Adams says he’ll continue to use rap as a means to speak on issues.

Categorization for Kinky too difficult to determine

Thursday, February 26th, 2009

Citizen Staff Writer
Music

BRIAN MORI

Tucson Citizen

Tucsonans who like the frenetic rhythms of Mexican quintet Kinky will probably revel in the band’s newest CD, “Barracuda.”

“It is more aggressive than the others and resembles the live energy
we have,” Kinky guitarist Carlos Chairez says during a phone interview.
“It’s a little mean, a little mysterious. The Barracuda is always in
the dark and it’s ready to grab anything that passes by.”

The album is a continuation of the band’s sonic exploration and defies categorization.

“The ideal fan is one that is craving new stuff,” he says. “We’re
characterized as electronic but we love rock and a lot of different
genres . . . Live, we experiment with the songs. We rock it a lot
more.”

Kinky’s music, about two-thirds of which is in Spanish, is a
high-speed fusion of ’80s and ’90s electronica, rock, some jazz, and
regional Mexican stylings. Also in the mix: synthesized audio, heavy
percussion, guitar and even some accordion.

“A lot of people have tried to categorize the music but we cannot
really put any labels on it because we have been invited to play rock
bars and jazz festivals,” Chairez says.

In many of their songs, the group combines several of these genres
to create a musical gumbo of sounds. In others, the sound is almost so
mainstream American rock, it could easily throw off the unfamiliar
listener.

“(Kinky) is about going further. In a sexual connotation or a musical context, it means the same to us,” Chairez explains.

Much of what Kinky sings about can be interpreted in different ways,
subtly or blatantly referring to sex, politics, love, party life, or
simply putting creative spins on mundane everyday events.

Songs from “Barracuda” vary, from the bawdy “Those Girls” to “Hasta Quemarnos,” a command to dance “until we burn.”

“We’re not (too) crazy but we can definitely back the lyrics,” says
Chairez, revealing that some band members’ experiences with drugs in
the party scene influence their music.

The party spirit continues at Kinky concerts, where the band strives to get the crowd moving.

“It’s about celebrating the energy of music,” Chairez says.

IF YOU GO

What: Kinky in concert, with The Jons opening

When: Doors open at 9 p.m. Friday

Where: Club Congress. 311 E. Congress St.

Price: $14 in advance, $16 day of the show.

Info: 622-8848, www.hotelcongress.com

Pima Community College troupe cuts loose with ‘Footloose’

Thursday, February 19th, 2009

Citizen Staff Writer
Stage

BRIAN MORI

bmori@tucsoncitizen.com

Choreographer Mickey Nugent can really get into the spirit of Pima Community College’s upcoming production of “Footloose.”

“The (students) love dancing to all the pop moves,” Nugent says, right before leaping out of his chair and demonstrating the moves of the Dolphin, Worm, and the Roger Rabbit. “We wanted to do something people could tap their toes to.”

Those in attendance opening night Feb. 26 can do more than that. They’re encouraged to dress in ’80s attire and big hair.

The fashion will complement the setting of the 1984 pop culture hit that starred Kevin Bacon as the rebellious new kid in town who reminds his peers and the crotchety conservative elders of a small, Bible Belt community that life needs music, dance and laughter. He and his friends fight city hall for the right to party, citing the Bible call for “a time to dance.”

Nugent is joined at the helm by director and Pima graduate Todd Poelstra.

“(Footloose) is about family dysfunction, listening to your kids, your parents, and it takes this rebel to get everyone to cut loose,” says Nugent, a veteran of theater and dance for more than 30 years. He has starred in and directed such well-known shows as “Cats,” “Grease” and “Oklahoma.”

Nugent came to Tucson in 2001 to be with his family and has taught at Pima since 2003.

The live version of “Footloose,” he assures, has all the iconic hits like Bonnie Tyler’s “Holding Out for A Hero,” and Kenny Loggins’ title song.

The Pima troupe was briefly disappointed after hearing of Broadway in Tucson’s production of “Grease,” PCC’s original choice, scheduled for the same weekend. Switching to “Footloose” was a wise move, avoiding box office disaster while offering another recognizable hit title.

“We hadn’t done musicals for a long time. We’ve found the funding and staff to make things work,” Poelstra says. He describes Nugent’s coming on board as “destiny.”

“The students had great heart but they were raw, Nugent says. “Now we’re ready.”

PCC troupe cuts loose with ‘Footloose’

IF YOU GO

What: Pima Community College Theatre Arts presents “Footloose”

When: The show previews at 7:30 p.m. Feb. 25 and continues at 7:30 p.m. Wednesdays-Saturdays and 2 p.m. Sundays through March 8.

Where: Center for the Arts, Proscenium Theatre, 2202 W. Anklam Road (West Campus.)

Price: $18, with discounts available

Info: 206-6986, www.pima.edu/cfa

‘Laughing Matters’ pokes fun at Az in many mediums

Thursday, February 19th, 2009

Citizen Staff Writer
VISUAL ARTS

BRIAN MORI

bmori@tucsoncitizen.com

Cowboy caricatures, agaves made from old tires, “mad” ceramic cows, a frybread-making Native American superhero and clay javelinas sipping martinis are just a few of the curiously odd pieces on display at “Laughing Matters.”

The exhibit at Tohono Chul Park pokes fun at Arizona’s landmarks and symbols, animals, the Wild West mystique, tourists and historical and political figures.

“People tend to think of art as something lofty. This demonstrates art fulfills a need for all of us . . . things to be enjoyed,” says Peggy Hazard, assistant curator of the park’s museum.

The art on display varies widely in form and subject – from greeting cards to metal work, from Native American to pop-Americana, and from corrugated steel collages and hand-made windmills to whirligigs.

“(Arizona) flora and fauna, the lizards, snakes, and reptiles are funny in themselves – like the Legislature,” cracks Dave Fitzsimmons, a political cartoonist for the Arizona Daily Star and unofficial “humor consultant” for the exhibit.

“Dave was the cheerleader,” Hazard says.

Fitzsimmons has four biting pieces on display making fun of locals and snowbirds. He advised Hazard with piece selection and helped with the exhibit’s name, a play-on-words describing both the art and the show’s message.

In the spirit of the exhibit, the park is hosting a reception Sunday featuring local cowboy poet Baxter Black.

Those visiting the exhibit Sunday will be greeted by a 5-foot-tall laughing mask. Closer inspection reveals it is made from a saguaro.

The walls are peppered with satire. Drawings, maps, and post-cards romanticize the Wild West while simultaneously mocking the naiveté of tourists.

Also included is the obligatory Arizona weather humor seen in such pieces as Fran Douglas’ “Frank and Edna,” a ceramic couple who burst into flames shortly after moving west from Oklahoma.

“(The art) is cruel, catty, punitive, and backwards,” Fitzsimmons quips.

The exhibit is geared toward families, long-time Arizonans, and travelers who want to laugh and learn about the state.

“It could be relief for some people to come into an exhibit that will make them laugh,” Hazard says. “That’s exactly what’s happening.”

“Laughing Matters” pokes fun at Az in many mediums

IF YOU GO

What: “Laughing Matters” art exhibit and reception with cowboy poet Baxter Black

When: Exhibit runs through March 8. Gallery hours are 8 a.m.-5 p.m. daily. Baxter Black reception, 2 p.m. Sunday

Where: Tohono Chul Park, 7366 N. Paseo del Norte.

Price: $7 general admission to park, $25 for reception

Info: 742-6455, www.tohonochulpark.org

Wounded Warriors get comic relief

Thursday, February 12th, 2009

Citizen Staff Writer

BRIAN MORI

calendar@tucsoncitizen.com

A little humor can go a long way in assisting injured U.S. servicemen and women.

Comics for Courage will hold a one-night special Thursday at Laffs Comedy Caffé to benefit the Wounded Warriors Project, a nationally recognized organization devoted to helping maimed veterans recover and lead active, meaningful lives.

The show is the brainchild of Chris Cannon, a stand-up comic from Denver who retired from the U.S. Air Force in 1987. Since early 2008, Cannon has toured cities across the Southwest raising money for the Wounded Warriors by organizing comedy shows that feature local, regional and national comics.

WWP “is not the VA, but they care about you and are with you,” Cannon tells veterans. “I’m not going to get a TV show. This is a way I can do what I do and help.”

Cannon will headline the Laffs show along with Vietnam vets Gary Hood and Walt Maxam, both of Tucson.

Their humor is observational, the trio say, and offers each veteran’s perspectives on modern life.

“Everybody gets hit,” warns Hood, who describes himself as, “a liberal that makes Obama look conservative.”

Hood’s humor is dry and cutting. Of President Obama, he offers, “Once you go black you’re out of Iraq!”

Maxam, who works in the Marana Unified School District, is the “old man” making fun of the kids. He throws in a few Cialis and Viagra jokes to perk people up.

Cannon’s jokes poke fun at society. “I love hockey. If you don’t like your opponent, you take his nose off. On the street, you get 20 years. What’s two minutes” in the penalty box? quips Cannon, who’s written for Jay Leno and Bill Engvall.

While Obama jokes may be part of the act, Comics for Courage is about a bigger issue that transcends politics, Hood says.

“You don’t have to be partisan. It’s not, ‘Who did you vote for?’ It’s, ‘Some kid is hurt and you want to help.’ ”

Wounded Warriors get comic relief from vetted acts

IF YOU GO

What: Comics for Courage comedy night benefiting the Wounded Warrior Project.

When: 8 p.m. Thursday

Where: Laffs Comedy Caffé, 2900 E. Broadway

Price: $15 single, $25 for two; reservations suggested

Info: 323-8669, www.laffs tucson.com, www.wounded warriorproject.org

Comedy Show at Laffs to aid wounded vets

Tuesday, February 10th, 2009

Citizen Staff Writer
IN BRIEF

BRIAN MORI

calendar@tucsoncitizen.com

Comics for Courage will hold a one-night special Thursday at Laffs Comedy Caffé to benefit the Wounded Warriors Project, a nationally recognized organization devoted to helping wounded veterans recover and lead active, meaningful lives.

The show is the brainchild of Chris Cannon, a stand-up comic from Denver who retired from the U.S. Air Force in 1987.

Cannon will headline the Laffs show at 8 p.m. at 2900 E. Broadway, along with Vietnam vets Gary Hood and Walt Maxam, both of Tucson.

Tickets are $15. Call 32-FUNNY for reservations.

Dillinger Days frenzy coming up

Thursday, January 22nd, 2009

Citizen Staff Writer
Entertainment

BRIAN MORI

bmori@tucsoncitizen.com

Could there be a Johnny Depp sighting in the Old Pueblo this weekend?

Depp is playing John Dillinger in the upcoming movie, “Public Enemies.” So maybe the quirky actor will show up in Tucson for the annual celebration named after the famous gangster.

Hey, it could happen.

This year Dillinger Days celebrates the 75th anniversary of the capture of the suave, badass bank robber. Tucsonans who like vintage ’30s cars and attire, re-enactments of bank heist shootouts, or who just want to sound smart when the movie premieres in July, should check out the event.

“We’re bigger and better than ever,” says Allison Baron, manager of the Hotel Congress, which has partnered with the Fox Theatre this year to present activities Friday and Saturday.

In the movie, Christian Bale will play Max Purvis, the ambitious agent in the then-newly created FBI obsessed with capturing Dillinger.

During their highly publicized bank robbery spree from 1933-34, Dillinger and his gang killed at least 11 men, including a sheriff in Ohio. They escaped from several jails.

Despite the violence, Dillinger was revered by many Americans during the Great Depression as a symbol of rebellion against the wealthy banks.

Recognizing that allure, Shana Oseran and her husband, Richard – who purchased and restored the Hotel Congress in 1984 – started Dillinger Days in 1992. It began as a one-act presentation by local actors in the hotel lobby.

“(Dillinger Days) started as an art form and turned into a history lesson,” explains Oseran, who likes to stress Tucson’s role in history rather than the man himself.

During a respite from pillaging banks in 1933, Dillinger’s gang and girlfriends traveled to Tucson and rented a third-floor room in the hotel.

On Jan. 21, a fire forced the evacuation of all the guests, and Dillinger’s cronies were exposed when they tried to bribe a Tucson firefighter to rescue their loot. They were arrested and Dillinger was taken into custody without incident two days later on a downtown street corner.

“There are still people in this town who come out of the woodwork every time we do this,” Oseran says. “We can really look at our own Tucson history and feel a connection . . . what yesterday was all about.”

In addition to a 1930s-themed gala, re-enactments and historical presentations, the Fox Theatre has scheduled two showings of “The Gay Desperado,” a 1936 black-and-white movie filmed Tucson about a Mexican bandit who kidnaps an opera singer and an heiress. The showings will be at 2:45 and 5:45 pm.

IF YOU GO

What: Dillinger Days festival

When: 7 p.m. Friday; 9 a.m.-6 p.m. Saturday

Where: Hotel Congress, 311 E. Congress St., and the Fox Theatre, 17 W. Congress St.

Price: All outdoor activities Saturday are free including a vintage car show, historical presentations, re-enactments of street shootouts, bank heists and the 1933 fire.

Info: 622-8848, www.hotelcongress.com

SCHEDULE

FRIDAY

7 p.m. 1930s-themed gala benefitting Arizona Concerns of Police Citizens, with food, cocktails, casino games, a costume contest, and the Kings of Pleasure, a swing-like blues ensemble; Copper Hall of the Hotel Congress; $50

SATURDAY

9 a.m. vintage car show; free

10 a.m.-6 p.m.: Street fair with carnival games, exhibits, and live music for all ages.

11-11:30 a.m.: Dillinger re-enactment Scene 1.

11:45: Dillinger lecture in Copper Hall of Hotel Congress followed by tour of the building.

noon: Hot Club of Tucson (band) on the outside stage.

1-1:30 p.m.: Dillinger re-enactment Scene 2

1:45-2:45: Hotel Congress tour, downtown walking tour.

2: Dusty Buskers outside stage (music)

2:45: Fox Theatre screening of “Gay Desperado” (a cowboy film shot in Tucson)

4:30-5:15: Dillinger re-enactment Scene 1 and 2

5:45: Fox Theatre screening of “Gay Desperado”