Citizen Staff Writer
SPRING ARTS PREVIEW
ARIZONA ONSTAGE PRODUCTIONS
270-3332, www.arizonaonstage.org Performance dates and venues to be announced.
A reprise run of the musical “Bark!” is being negotiated with the company holding the publishing rights.
“Sunday in the Park with George” Stephen Sondheim and James Lapine, in July.
ARIZONA ROSE THEATRE
888-0509, www.arizonarose.cc Performances at the Berger Performing Arts Center, 1200 W. Speedway Blvd.
“Robin Hood: A New Musical,” Feb. 16, 17, 22-24
“Mystic Window,” April 19, 20
ARIZONA THEATRE COMPANY
884-8210, www.arizonatheatre.org Performances at the Temple of Music and Art, 330 S. Scott Ave.
“To Kill A Mockingbird,” adapted to the stage by Christopher Sergel, March 1-22
“The Clean House” by Sarah Ruhl, April 5-26
BEOWULF ALLEY THEATRE COMPANY
882-0555, www.beowulfalley.org Performances at Beowulf Alley Theatre, 11 S. Sixth Ave.
“Arcadia” by Tom Stoppard, March 22-April 13
“Humble Boy” by Charlotte Jones, May 10-June 1
BORDERLANDS THEATER
882-7406, www.borderlandstheater.org Performance venues as noted.
“Topsy Turvy Mouse” by Peter Gil-Sheridan, Beowulf Alley Theatre, 11 S. Sixth Ave., Feb. 14-March 2
“School of the Americas” by Jose Rivera, Zuzi’s Theater, 738 N. Fifth Ave., March 27-April 13
BROADWAY IN TUCSON
903-BWAY, www.broadwayintucson.com Performances in the Tucson Music Hall, 260 S. Church Ave.
“Defending the Caveman,” Feb. 1-3 (five performances)
“The 25th Annual Putnam County Spelling Bee,” Feb. 19-24
“Cats,” May 13-18 (rescheduled from April 22-27)
CATALINA PLAYERS
800-838-3006 for tickets, www.catalinaplayers.org Performances at Atria Bell Court Gardens, 6653 E. Carondelet Drive
“Twilight of the Golds” by Jonathan Tolins, April 4-26
“Months on End” by Craig Pospisil, June 6-28
CHAMBER MUSIC PLUS SOUTHWEST
400-5439, www.cmpsouthwest.org Performances at the Berger Performing Arts Center, 1200 W. Speedway Blvd.
“A Beautiful Deception: from Impressionism to Surrealism,” Feb. 9
“Everything You Ever Wanted to Know About American Classical Music & American Jazz in 89 1/2 Minutes But Were Afraid to Ask,” March 23
DESERT VIEW PERFORMING ARTS CENTER
38759 S. Mountain View Blvd. (in SaddleBrooke), 520-818-1000, www.tickets.saddlebrookemvcountry club.com
“El Capitan Colorado” by Carollin Callery, March 5
“Witness for the Prosecution,” March 12
“Mr. Roberts” performed by the Top Hat Theatre Club, April 23
“Still Life – Frida Kahlo & Georgia O’Keeffe,” April 27
“Tinsel Town” performed by the Top Hat Theatre Club, May 21
THE GASLIGHT THEATRE
886-9428, www.thegaslighttheatre.com Performances at The Gaslight Theatre, 7010 E. Broadway
Mainstage Series
“The Lone Stranger” or “Trigger Happy,” playing through March 22
“Arizona Smith and the Relic of Doom” or “Safari So Good,” March 27-May 31
“Beach Blanket Be-Bop” or “That’s for Surfin’,” June 5-Aug. 23
Monday Night Series
“It’s Magic,” Jan. 28, March 10
“Love Me Tender” by Robert Shaw, Feb. 11 (two shows)
“How Great Thou Art,” Elvis’ gospel music favorites by Robert Shaw, Mar. 17, April 14
“Mariachi Extravaganza,” Feb. 18
Los Gallegos, April 21
Armen Dirtadian and Friends, Feb. 4, April 7
Big Band Express, Feb. 25, March 31, April 28
Robert Shaw and Armen Dirtadian, March 3
INVISIBLE THEATRE
882-9721, www.invisibletheatre.com Performances at Invisible Theatre, 1400 N. First Ave.
“Natives” by Janet Neipris, Feb. 20-March 9
“25 Questions – A Comedy for Anyone With a Mother!” starring Judy Gold, March 29-30
“Bingo – A Winning New Musical” by Michael Heitzman, Ilene Reid and David Holcenberg, May 7-25
Play-reading Series
“Dean the Sublime,” March 10-11
“Secret Things,” March 17-18
LIVE THEATRE WORKSHOP
327-4242, www.livetheatreworkshop.org Performances at Live Theatre Workshop, 5317 E. Speedway Blvd.
“Private Lives” by Noel Coward, now playing through Feb. 17
“Dancing at Lughnasa” by Brian Friel, Feb. 21-March 30
“Perfect Crime” by Warren Manzi, April 3-May 4
“Home” by David Storey, May 8-June 8
PIMA COMMUNITY COLLEGE THEATRE ARTS
206-6986, www.pima.edu/cfa Performances at the Center for the Arts, West Campus, 2202 W. Anklam Road
“Wonderful Town” by Leonard Bernstein, Betty Comden and Adolph Green, Feb. 20-March 2
“Buried Child” by Sam Shepherd, April 9-20
RED BARN THEATER COMPANY
622-6937, www.theredbarntheater.com Performances at the Red Barn Theater, 948 N. Main Ave.
“The Odd Couple” by Neil Simon, March 7-23
REDONDO MUSIC THEATRE
615-1130, tickets via Tucson Convention Center box office. Performances in the Leo Rich Theatre, 260 S. Church Ave.
“Cabaret,” March 14-16
“Kismet,” May 2-11
ROGUE THEATRE
551-2053, www.theroguetheatre.org Performance venues as noted.
“Happy Days” by Samuel Beckett, Cabaret Theatre in the Temple of Music and Art, 330 S. Scott Ave., Feb. 8-9
“Red Noses” by Peter Barnes, Zuzi’s Theatre, 738 N. Fifth Ave., March 27-April 13
TOP HAT THEATRE CLUB
326-6800, www.tophattheatreclub.com Performances at Top Hat Theatre Club, 3110 E. Fort Lowell Road.
“Oscar & Felix,” Feb. 1-24
“Witness for the Prosecution” by Agatha Christie, Feb. 29-March 22
“Tinsel Town” by James Mitchell Gooden, March 28-April 27
“Breaking Legs” by Tom Dulack, April 25-May 18
“Relatively Speaking” by Alan Ayckbourn, May 23-June 15
TUCSON THEATRICAL MIME THEATRE
990-7425, www.theatricalmimetheatre.org Stevie Eller Theatre, University of Arizona School of Dance
“Mythos: Journey Toward What End,” Jan. 25 and 27
UAPRESENTS
621-3341, www.uapresents.org Performances in Centennial Hall, 1020 E. University Blvd.
“In the Mood,” revue, March 30
“The Mikado” by Gilbert and Sullivan, April 19
“100 Years of Hollywood,” revue, April 23
UA SCHOOL OF THEATER ARTS’
ARIZONA REPERTORY THEATRE
621-1162, www.uatheatre.org Performance venues as noted.
“The Miracle Worker” by William Gibson, Marroney Theatre, Feb. 10-March 2
“Titus Andronicus” by William Shakespeare, Tornabene Theatre, March 2-30
“Urinetown” by Greg Kotis and Mark Hollmann, Marroney Theatre, April 13-May 4
Without a high-profile touring Broadway show such as “The Lion King” to soak up everyone’s attention this spring, local theater companies have a chance to shine even brighter. There are lots of clever entertainment choices out there, such as Broadway in Tucson’s reprise of “Defending the Caveman,” but for political punch I’m picking Borderlands Theater’s production of “School of the Americas” by Jose Rivera.
CHUCK GRAHAM
CRITIC’S PICK