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11 things to do if you are nervous about going onstage

by on Sep. 09, 2009, under Arts

Thanks to Beth Lapides and Greg Miller of Un-Cabaret for sharing their words of wisdom about how to look cool on stage. You can see more at their website, including “Finishing School (Nine Tips for Completing a Project)”. Obviously, they are good at making lists.

11 Things to do if you are nervous about going onstage

1. Stop thinking about how nervous you are! Remember that almost everyone is nervous almost every time. So what?!

2. Start thinking about something specific that you are going to say that you really want to communicate.

3. Have a conversation with someone else. The bartender, someone in the audience, another person who’s going onstage. This gets you out of your head and into your voice.

4. Do some deep breathing. This is very calming and centering. If you don’t know deep breathing techniques, go to a yoga class pr search it online, or just take a few long slow breathes through your nose

5. If your hands are shaking and you have to hold paper onstage, hold your paper on a stiff notebook or clipboard, which will mask the shaking.

6. Steady yourself by touching yourself (not like that!). Hands in pocket, or on hips etc. This reminds you that you are still in your body – not floating outside it!

7. Look for (or imagine) the friendliest face in the crowd and direct your material to them. Remember that they are really interested in what you want to communicate.

8. Run through the bullet points of your material in your head, remembering that you know what you are saying.

9. Remember that the physical symptoms of excitement are exactly the same as nervousness. Nauseous, lightheaded, tight in the chest, full of adrenaline. Try to convince yourself you are excited not nervous.

10. Focus on your opening line. In the unusual event that you don’t remember your opening line, look at your environment. Maybe you have something to say about the person who’s onstage before you or how hot/cold/dark/light the room is. This remark will bring you and the audience together in the present moment – and that’s what live performance is all about!

11. As soon as you get onstage, hold onto the microphone stand. It literally grounds you – and makes you feel more like a rock star.

Greg and Beth are in LA but they came to Tucson a few years ago and I took a workshop from them, The Comedian’s Way or The Un-Cab Lab, which is a “widely effective page to stage method for writing and performance (and self-discovery)” and it was fabulous! It’s great for anyone who wants to find their inner performer, not just comedians. I hope we can get them back to the Old Pueblo in the near future. Send them an email at uncabaret@earthlink.net if you’d be interested.



  • http://uncabaret.com/ Greg Miller

    Thanks to Penelope for helping to channel the creative energy of Tucson. For the record, we do like lists in blogs, but they’re usually not that funny onstage!

  • Penelope

    Hope we can get you and Beth here again for a workshop!

  • Bjay

    I used to do a lot of plays when I was younger.  I’m not necessarily a very well-spoken or outgoing person in person.  I’m pretty shy!
     
    So when I was about to go on stage, I would try to physically locate all the nervous feelings in my body and imagine it as tangible, powerful, glowing energy.  I would imagine forcing it into a ball shoving it into the pit of my stomach to be used as energy to propel me in the play.  It ended up becoming a battery for me so to speak.  The more nervous I was, the more energy I had.
     

    • Penelope

      I always tell people that being nervous and being excited feel the same in your body but when you are nervous you are expecting a miserable outcome and when you are excited you are expecting a fabulous outcome. So, change your expectations!